The thesis discusses space as a central element in Luigi Nona's composition and performance practices. Focusing chiefly on the pieces with tape and live-electronics composed after 1960, the dissertation attempts to illustrate the major influences that have contributed to the development of the Nono's spatial practice, with particular emphasis on his involvement with technology and theatrical practices ever since the detachment from Darmstadt in the late fifties. The musical and extra-musical implications of Nona's unique contribution to spatial music are discussed, in the hope that this work may become a useful practical contribution for future composers, performers and scholars, especially considering the lack of publications on the subjec...
Space has been one of the major topics in the work of Iannis Xenakis throughout the decades, but a f...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
This thesis presents an analysis of Luigi Nono’s Fragmente-Stille, an Diotima, as a starting point t...
Among the electroacoustical space compositions of the pre-digital era, Luigi Nono’s Prometeo, traged...
Luigi Nono’s work Post-Prae-Ludium No.1 “per Donau ” represents a model for the emerging genre of el...
Special Session: A spectral examination of a performance of Luigi Nono’s A Pierre, dell’azzurro sile...
Submitted thesis is a result of searching for relationships between music and space, between musical...
Este trabalho se propõe a analisar alguns dos aspectos da obra tardia do compositor veneziano Luigi ...
Luigi Nono's work Post-Prae-Ludium No.1 "per Donau" represents a model for the emerging genre of el...
The music of the late 20th and early 21st centuries presents a challenge to traditional music theory...
The work and thinking of Luigi Nono involved a complex interplay of references to music from other e...
Abstract: This paper discusses two works, Luigi Nono's Verso Prometeo (1984) and Salvatore Sci...
The purpose of this research is to learn the artistic and technical techniques that cause spatial se...
Spatial music, namely sound localisation as a compositional parameter in music has been in use, albe...
Perhaps the most significant contributions that computer and digital technologies have brought to ou...
Space has been one of the major topics in the work of Iannis Xenakis throughout the decades, but a f...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
This thesis presents an analysis of Luigi Nono’s Fragmente-Stille, an Diotima, as a starting point t...
Among the electroacoustical space compositions of the pre-digital era, Luigi Nono’s Prometeo, traged...
Luigi Nono’s work Post-Prae-Ludium No.1 “per Donau ” represents a model for the emerging genre of el...
Special Session: A spectral examination of a performance of Luigi Nono’s A Pierre, dell’azzurro sile...
Submitted thesis is a result of searching for relationships between music and space, between musical...
Este trabalho se propõe a analisar alguns dos aspectos da obra tardia do compositor veneziano Luigi ...
Luigi Nono's work Post-Prae-Ludium No.1 "per Donau" represents a model for the emerging genre of el...
The music of the late 20th and early 21st centuries presents a challenge to traditional music theory...
The work and thinking of Luigi Nono involved a complex interplay of references to music from other e...
Abstract: This paper discusses two works, Luigi Nono's Verso Prometeo (1984) and Salvatore Sci...
The purpose of this research is to learn the artistic and technical techniques that cause spatial se...
Spatial music, namely sound localisation as a compositional parameter in music has been in use, albe...
Perhaps the most significant contributions that computer and digital technologies have brought to ou...
Space has been one of the major topics in the work of Iannis Xenakis throughout the decades, but a f...
The use of space as a structural part of a composition is a complex issue that involves rethinking t...
This thesis presents an analysis of Luigi Nono’s Fragmente-Stille, an Diotima, as a starting point t...