International audienceLimoges enamels on metal from the 17th to 18th centuries were analysed by non-invasive Raman microspectrometry with a mobile set-up in storage at the Musée des Arts Décoratifs (Paris) in order to identify the types of glazes and pigments used and to compare them with those found in Chinese cloisonné and falangcai enamels painted on metal and porcelain from the Kangxi and Yongzheng reigns (Qing dynasty). Certain French Jesuit and Chinese historical records report exchanges of technical know-how and artefacts during this period from France to China. Particular attention is paid to the detection of lead arsenate in blue and white enamels as well as in the whitened ones. Lead arsenate appears to be formed in blue enamels d...
Richly decorated enamelled glass objects and fragments of different provenance and epoch have been a...
In this work, we studied the features of a modern Chinese cloisonné vase by means of small-spot ener...
The study of ancient materials with recognized cultural and economic value is a challenge to scienti...
International audienceLimoges enamels on metal from the 17th to 18th centuries were analysed by non-...
International audienceA selection of 10 Chinese enamelled metal wares dating from the 17th-18th cent...
International audiencePainted enamelling technique on watches as a new form of fine art emerged circ...
International audienceTwo masterpieces of the Qing Dynasty (1644–1912 CE), one in gilded brass (ince...
International audienceEighteen Chinese painted enamelled porcelains and three Chinese enamelled Yixi...
International audienceThe first porcelains made in Europe during the 17 th century and the very begi...
International audienceThe first porcelains made in Europe during the 17 th century and the very begi...
International audience: The combined use of non-invasive on-site portable techniques, Raman microsco...
International audienceThree porcelain shards representative of wucai (Famille verte, Famille rose an...
International audienceSix rare porcelains of the Qing Dynasty, in particular, dishes ordered respect...
This study investigates the comparison of the Raman signatures of different phases used in underglaz...
International audienceThis study investigates the comparison of the Raman signatures of different ph...
Richly decorated enamelled glass objects and fragments of different provenance and epoch have been a...
In this work, we studied the features of a modern Chinese cloisonné vase by means of small-spot ener...
The study of ancient materials with recognized cultural and economic value is a challenge to scienti...
International audienceLimoges enamels on metal from the 17th to 18th centuries were analysed by non-...
International audienceA selection of 10 Chinese enamelled metal wares dating from the 17th-18th cent...
International audiencePainted enamelling technique on watches as a new form of fine art emerged circ...
International audienceTwo masterpieces of the Qing Dynasty (1644–1912 CE), one in gilded brass (ince...
International audienceEighteen Chinese painted enamelled porcelains and three Chinese enamelled Yixi...
International audienceThe first porcelains made in Europe during the 17 th century and the very begi...
International audienceThe first porcelains made in Europe during the 17 th century and the very begi...
International audience: The combined use of non-invasive on-site portable techniques, Raman microsco...
International audienceThree porcelain shards representative of wucai (Famille verte, Famille rose an...
International audienceSix rare porcelains of the Qing Dynasty, in particular, dishes ordered respect...
This study investigates the comparison of the Raman signatures of different phases used in underglaz...
International audienceThis study investigates the comparison of the Raman signatures of different ph...
Richly decorated enamelled glass objects and fragments of different provenance and epoch have been a...
In this work, we studied the features of a modern Chinese cloisonné vase by means of small-spot ener...
The study of ancient materials with recognized cultural and economic value is a challenge to scienti...