Add to ORKGWomen in England, the United States and the Netherlands have used the Gothic since 1798 in several ways. This thesis explains that women have used Gothic novels and films to name the unnamed, to explain the marginal and to emancipate women
In my dissertation I argue for a new history of female Romanticism in which the romance - and partic...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
This thesis will examine various representations of female agency and identity in both classic and ...
This article examines the reception history of women-authored Gothic texts from the late eighteenth ...
As British women writers in the late eighteenth and early nineteenth centuries sought to define how ...
This thesis explores the relationship between the Female Gothic novel of the late eighteenth and ear...
The objective of this thesis is to argue for and analyze the progression of women's agency in the fi...
When the Gothic genre emerged in the late eighteenth-century, it shocked and horrified its readers—e...
This thesis investigates the distinction between terror and horror that Robert Hume first establishe...
A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts-Engli...
Feminist scholars have focused on the Gothic as a medium for expressing the horrors of female experi...
Thesis abstract: Despite the fact that some critics view the period of the true Gothic as ending in ...
abstract: This research conceptualizes Gothic literature featuring undead characters produced and po...
The thesis focuses on the 19th century British gothic literature and uncovers how the different type...
This thesis surveys the origin and development of the female gothic in feature-length fiction films....
In my dissertation I argue for a new history of female Romanticism in which the romance - and partic...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
This thesis will examine various representations of female agency and identity in both classic and ...
This article examines the reception history of women-authored Gothic texts from the late eighteenth ...
As British women writers in the late eighteenth and early nineteenth centuries sought to define how ...
This thesis explores the relationship between the Female Gothic novel of the late eighteenth and ear...
The objective of this thesis is to argue for and analyze the progression of women's agency in the fi...
When the Gothic genre emerged in the late eighteenth-century, it shocked and horrified its readers—e...
This thesis investigates the distinction between terror and horror that Robert Hume first establishe...
A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts-Engli...
Feminist scholars have focused on the Gothic as a medium for expressing the horrors of female experi...
Thesis abstract: Despite the fact that some critics view the period of the true Gothic as ending in ...
abstract: This research conceptualizes Gothic literature featuring undead characters produced and po...
The thesis focuses on the 19th century British gothic literature and uncovers how the different type...
This thesis surveys the origin and development of the female gothic in feature-length fiction films....
In my dissertation I argue for a new history of female Romanticism in which the romance - and partic...
grantor: University of TorontoThis thesis analyzes the novels of Margaret Atwood through t...
This thesis will examine various representations of female agency and identity in both classic and ...