Communication disponible en ligneThis talk presents a group of 17th-century Persian paintings made in the farangi-sazi or Occidentalist style. It focuses in particular on depictions of females whose iconography is of European origins. Inspired by the print medium, some of these compositions recall Persian depictions of Shirin bathing, while others depict biblical saints such as the Virgin Mary. Taken as a collective, these paintings craft a visual form of Occidental exoticism and also provide insights into Iranian perceptions of European subjects and themes during the early modern period
can be considered the epitome of Iranian architectural beauty. Safavid dynasty (1501-1722 AC) along ...
In the midst of Europe’s nineteenth-century industrial revolution, four men embarked on separate jou...
The architecture of Safavid Dynasty can be considered the epitome of Iranian architectural beauty. S...
Communication disponible en ligneThis talk presents a group of 17th-century Persian paintings made i...
The presentation focuses on the opening of the Safavid dynasty from the 16th to the 18th century to ...
The Persian tradition was a contributing force in the development of the Mughal style, as two famous...
Lacquer, as a medium for artistic expression, was not readily chosen by Persian artists before the l...
It usually goes like this: As you stare at the delicately drawn, full-bodied female figures on the m...
Representation of Bakhtiari nomadic women’s identity and their salient char-acteristics can be recog...
Fig. 1-a. House of Khoja Nazar. Wall painting. European influence Fig. 1-b. Ibid.: Detail Fig. 1-c...
This essay surveys the images of angels in the Iranian paintings particularly in18th(und...
Beliefs and assumptions about different groups of people are shaped through the representations prov...
The virtual absence of written sources about the construction process in the medieval period makes P...
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse ...
Poster Session: Italy, Persia, and Early Modern GlobalismThis paper examined early-modern Italians' ...
can be considered the epitome of Iranian architectural beauty. Safavid dynasty (1501-1722 AC) along ...
In the midst of Europe’s nineteenth-century industrial revolution, four men embarked on separate jou...
The architecture of Safavid Dynasty can be considered the epitome of Iranian architectural beauty. S...
Communication disponible en ligneThis talk presents a group of 17th-century Persian paintings made i...
The presentation focuses on the opening of the Safavid dynasty from the 16th to the 18th century to ...
The Persian tradition was a contributing force in the development of the Mughal style, as two famous...
Lacquer, as a medium for artistic expression, was not readily chosen by Persian artists before the l...
It usually goes like this: As you stare at the delicately drawn, full-bodied female figures on the m...
Representation of Bakhtiari nomadic women’s identity and their salient char-acteristics can be recog...
Fig. 1-a. House of Khoja Nazar. Wall painting. European influence Fig. 1-b. Ibid.: Detail Fig. 1-c...
This essay surveys the images of angels in the Iranian paintings particularly in18th(und...
Beliefs and assumptions about different groups of people are shaped through the representations prov...
The virtual absence of written sources about the construction process in the medieval period makes P...
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse ...
Poster Session: Italy, Persia, and Early Modern GlobalismThis paper examined early-modern Italians' ...
can be considered the epitome of Iranian architectural beauty. Safavid dynasty (1501-1722 AC) along ...
In the midst of Europe’s nineteenth-century industrial revolution, four men embarked on separate jou...
The architecture of Safavid Dynasty can be considered the epitome of Iranian architectural beauty. S...