Add to ORKGIn this work, LIN Yilin installed numerous metal cages by the ceiling of a room. Scattered throughout the cages are mirrors taking in various shapes and angles. From bottom, LIN operates a slide projects whose projections are shown on the ceiling, and disrupted, of course, by the convoluted cages and mirrors. The slides displayed are either showing the audiences of the performance, or some objects ALLUDING to human presence and relation (business card, for example). In both of the imageries shown, LIN is facetiously cancelling a complete social recognition: the former one gives us the look of people without disclosing their identity; and the latter does it opposingly -- only giving us the informational identity of people but forfeiting th...