The present analysis reconsiders Ashurbanipal's representations of his Elamite campaigns in the North Palace at Nineveh. Starting from Ashurbanipal's accounts of the military deeds in Elam, identifications of the several sieges depicted in the rooms of the North Palace are suggested: other scenes are already known thanks to the common use of epigraphs and captions carved onto the slabs. Beside the military actions, Elamite characters can be also recognised in other situations: they document the different attitude of Ashurbanipal's policy in Elam with representations of Elamite refugees at the court of Nineveh serving and working for the Assyrian king. At the same time, considerations about the arrangement of the slabs showing the Elamite wa...
The essays collected in this volume (two previously unpublished) examine ways in which the kings of ...
This paper studies the transtextual features of accounts of war and descriptions of enemies in Assyr...
It has long been mantained that the Neo-Assyrian cycles of wall reliefs had their origins in the mon...
The present analysis reconsiders Ashurbanipal's representations of his Elamite campaigns in the Nort...
This dissertation examines the representation of enemy punishment in prisms, reliefs, epigraphs, and...
As observed by numerous commentators, the slab relief panel from the North Palace at Nineveh depicti...
This study offers a critical discussion and analysis of the Elamite campaigns of the Assyrian king A...
In this contribution, I discuss the textual sources for Ashurbanipal’s „Garden Party“ and its implic...
Warfare is a significant theme in Neo-Assyrian art but it is limited to specific media and contexts,...
The study examines visual and written evidences of the military campaign Ashurbanipal conducted agai...
The mutual dialogue(s) between Archaeology and Bildwissenschaften has often been avoided as an issue...
From the 9th to the 7th century BC, Assyrian kings launched a programme of visualization of their mi...
Speaking of iconographies of war in the Ancient Near East immediately -it could be even said automat...
The theme of the royal lion hunt occupies several rooms in the North Palace of Assurbanipal at Ninev...
This study aimed at identifying and discussing Early Neo-Assyrian state ideology through focusing on...
The essays collected in this volume (two previously unpublished) examine ways in which the kings of ...
This paper studies the transtextual features of accounts of war and descriptions of enemies in Assyr...
It has long been mantained that the Neo-Assyrian cycles of wall reliefs had their origins in the mon...
The present analysis reconsiders Ashurbanipal's representations of his Elamite campaigns in the Nort...
This dissertation examines the representation of enemy punishment in prisms, reliefs, epigraphs, and...
As observed by numerous commentators, the slab relief panel from the North Palace at Nineveh depicti...
This study offers a critical discussion and analysis of the Elamite campaigns of the Assyrian king A...
In this contribution, I discuss the textual sources for Ashurbanipal’s „Garden Party“ and its implic...
Warfare is a significant theme in Neo-Assyrian art but it is limited to specific media and contexts,...
The study examines visual and written evidences of the military campaign Ashurbanipal conducted agai...
The mutual dialogue(s) between Archaeology and Bildwissenschaften has often been avoided as an issue...
From the 9th to the 7th century BC, Assyrian kings launched a programme of visualization of their mi...
Speaking of iconographies of war in the Ancient Near East immediately -it could be even said automat...
The theme of the royal lion hunt occupies several rooms in the North Palace of Assurbanipal at Ninev...
This study aimed at identifying and discussing Early Neo-Assyrian state ideology through focusing on...
The essays collected in this volume (two previously unpublished) examine ways in which the kings of ...
This paper studies the transtextual features of accounts of war and descriptions of enemies in Assyr...
It has long been mantained that the Neo-Assyrian cycles of wall reliefs had their origins in the mon...