The paper analyses terminological potential of the Croatian figurative multiword units or collocations containing basic musical terms such as melodija ‘melody’, akord ‘chord’, tempo ‘tempo’ or ritam ‘rhythm’. By querying the concordances containing those terms in Croatian general language corpora – Croatian National Corpus (HNK), Croatian Web Corpus (hrWaC) and Croatian Language Corpus (Riznica) – as well as analysing a specialized corpus compiled of papers from Croatian professional and scientific journals on music Arti musices and Theoria, figurative terms common for both scientific and popular text registers are determined. Taking into account the conceptual content of the extracted collocations, it is determined which collocations can b...
Ovaj diplomski rad se bavi definicijom idiomatskih izraza, njihovim karakteristikama, upotrebom i po...
The dissertation Terminology in Slovene Music Textbooks from the year 1867 until the present day pre...
Music semiotics is a branch of music theory that has been particularly developing since the 1960s. A...
Musical terminology is laden with difficulties. The present article will pinpoint some of the most p...
This article focuses on the use of musical terminology in new contexts which have no connection with...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
Cilj ovog rada je komparirati poljske, ukrajinske i hrvatske frazeme iz semantičkog polja glazbe, uk...
This paper presents five of the initial items of a semantic study of confusable terms and false frie...
Cilj ovog rada je komparirati poljske, ukrajinske i hrvatske frazeme iz semantičkog polja glazbe, uk...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
Ovaj diplomski rad se bavi definicijom idiomatskih izraza, njihovim karakteristikama, upotrebom i po...
The aim of this paper is to present the most important issues of the Slovene music terminology in th...
Ovaj diplomski rad se bavi definicijom idiomatskih izraza, njihovim karakteristikama, upotrebom i po...
The dissertation Terminology in Slovene Music Textbooks from the year 1867 until the present day pre...
Music semiotics is a branch of music theory that has been particularly developing since the 1960s. A...
Musical terminology is laden with difficulties. The present article will pinpoint some of the most p...
This article focuses on the use of musical terminology in new contexts which have no connection with...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
Cilj ovog rada je komparirati poljske, ukrajinske i hrvatske frazeme iz semantičkog polja glazbe, uk...
This paper presents five of the initial items of a semantic study of confusable terms and false frie...
Cilj ovog rada je komparirati poljske, ukrajinske i hrvatske frazeme iz semantičkog polja glazbe, uk...
The aim of this paper is to indicate the importance of the metaphorical terminology and verbal descr...
Ovaj diplomski rad se bavi definicijom idiomatskih izraza, njihovim karakteristikama, upotrebom i po...
The aim of this paper is to present the most important issues of the Slovene music terminology in th...
Ovaj diplomski rad se bavi definicijom idiomatskih izraza, njihovim karakteristikama, upotrebom i po...
The dissertation Terminology in Slovene Music Textbooks from the year 1867 until the present day pre...
Music semiotics is a branch of music theory that has been particularly developing since the 1960s. A...