Pojava fotografije i njen utjecaj na slikarstvo 19. st.

Razvoj fotografije i njen utjecaj na europsko slikarstvo razmatra se u kontekstu društvenih okolnosti 19. stoljeća. Pruža se povijesni pregled ideje o fotografiji i otkrićima koje su dovele do pojave fotografije u 19. stoljeću. Zatim se detaljno opisuje postupni razvoj fotografske tehnike kroz 19. stoljeće među kojima su najbitniji Niepceovi, Daguerrovi i Talbotovi doprinosi. Opisuju se društvene i industrijske reakcije na fotografiju. Slijedi minuciozna analiza pojedinačnih umjetnika i njihovog odnosa s fotografijom, te se na konkretnim primjerima pojašnjava povezanost s fotografijom. Mnogo je europskih slikara koji su se bavili fotografijom i integrirali je u vlastiti umjetnički rad, ali fokus je stavljen samo na najvažnije: Courbet, Ingres, Delacroix, slikari prerafaeliti, slikari Barbizonske škole, impresionisti, Manet, Degas, grupa Nabis, postimpresionisti i simbolisti. U zaključku se ukratko opisuje kako je fotografija djelovala na slikarstvo, ali se i naglašava važnost tematike u kontekstu povijesti umjetnosti.The evolution of photography and its influence on European painting is contextualized considering the social circumstances of the 19th century. The historical overview of the idea of photography and its inventions is given, which lead to the appearance of photography in the 19th century. Then the gradual development of the photographic technique is described in detail, among which of the most striking contributions are attributed to Niepce, Daguerre and Talbot. Social and industrial reactions to photography are described. Afterwards, a meticulous analysis of individual artists and their relation to photography is given, as well as specific examples that clarify their connection with photography. There have been many European painters who had engaged in photography and integrated it in their artistic work, but the emphasis is only placed on the most important ones: Courbet, Ingres, Delacroix, the PreRaphaelite Brotherhood, the Barbizon school of painters, the Impressionists, Manet, Degas, Les Nabis, the Post-Impressionists and Symbolists. The conclusion shortly describes how photography affected painting, but the importance of the matter is also highlighted in the context of art history