Examines the varying ways in which the songs in Allan Ramsay\u27s ballad-opera The Gentle Shepherd were published between the 170s and the 1780s, noting variation in how particular songs were titled, in which songs were included and how they were placed within the dramatic text, in which tunes were used for which song-texts, and in how words were related to music in editions providing both. The discussion is supported by extensive tables and lists of 18th century Ramsay editions, and illustrated with transcriptions of the music in two editions. Concludes that the addition of the music in later editions served over time to stabilize the placement of the songs within the dramatic text.
Almost wholly the work of Allan Cunningham, who supplied Cromek with original poems, disguised as ol...
This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott\u27s version...
This essay examines Walter Scott’s engagement with concepts of place and regionality in the ballad c...
This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of pastoral im...
Provides a review and interpretation of Allan Ramsay\u27s career and reputation, and of scholarly a...
Traces the history of Ramsay commemoration, from the obelisk at Penicuik with an inscription from 17...
This is the first book to combine contemporary debates in ballad studies with the insights of modern...
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Me...
From at least 1760, when he moved to Oxford, the German-born musician and artist, John Malchair (173...
Examines the linguistic issues facing editors of two 18th century Scottish editors, Allan Ramsay and...
Discusses and collates variants from a second autograph manuscript of Burns\u27s song Yon High... ...
London : Printed for J. Watson, in Wardrobe-Court, Great-Carter Lane, 1743. [ii], 63 p., [5] ; 17 cm...
The thesis is an investigation of a manuscript collection of songs and music written by three member...
Presents an overview of the new AHRC-funded edition of the Collected Works of Allan Ramsay, and of r...
This paper based on Scottish ballads, aims to paint a contrast between the ethos of the world from w...
Almost wholly the work of Allan Cunningham, who supplied Cromek with original poems, disguised as ol...
This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott\u27s version...
This essay examines Walter Scott’s engagement with concepts of place and regionality in the ballad c...
This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of pastoral im...
Provides a review and interpretation of Allan Ramsay\u27s career and reputation, and of scholarly a...
Traces the history of Ramsay commemoration, from the obelisk at Penicuik with an inscription from 17...
This is the first book to combine contemporary debates in ballad studies with the insights of modern...
Discusses the sources and issues in reediting the late 18th century Scottish song collection, The Me...
From at least 1760, when he moved to Oxford, the German-born musician and artist, John Malchair (173...
Examines the linguistic issues facing editors of two 18th century Scottish editors, Allan Ramsay and...
Discusses and collates variants from a second autograph manuscript of Burns\u27s song Yon High... ...
London : Printed for J. Watson, in Wardrobe-Court, Great-Carter Lane, 1743. [ii], 63 p., [5] ; 17 cm...
The thesis is an investigation of a manuscript collection of songs and music written by three member...
Presents an overview of the new AHRC-funded edition of the Collected Works of Allan Ramsay, and of r...
This paper based on Scottish ballads, aims to paint a contrast between the ethos of the world from w...
Almost wholly the work of Allan Cunningham, who supplied Cromek with original poems, disguised as ol...
This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott\u27s version...
This essay examines Walter Scott’s engagement with concepts of place and regionality in the ballad c...