Museums for the art of exile. Multiple recovery of memories

Este artículo aborda el estudio museístico del arte del exilio tras la Guerra Civil, instituciones que no son incluidas en los proyectos y textos de ley, lo que conlleva que no sean consideradas como lugares de la memoria. La falta de reconocimiento contrasta con su múltiple recuperación memorialista pues, por un lado, conservan colecciones procedentes de la diáspora que son devueltas al territorio y a la población de la que el artista formaba parte; por otro lado, se rehabilitan espacios emblemáticos y residencias privadas, y se conectan escenarios simbólicos y estratégicos de este periodo histórico.This article addresses the art of exile after the Civil War studied from a museum perspective, being these institutions that are not included in draft legislation and legal texts, which means that they are not considered places of memory. The lack of recognition contrasts with their multiple recovery of memories, as museums not only preserve collections from the diaspora that are returned to their original territory and population of which the artist was part, but also restore emblematic spaces and private residences, while bringing together symbolic and strategic scenarios from this historic period