One hundred and fifty years after the sound of the machine broke the silence of the garden, as examined in Leo Marx\u27s seminal book, The Machine in the Garden, the gardens of Latz-Partner at the defunct steel plant in Duisburg-Nord Landscape park just north of Duisburg, German, sound a new note in the silenced machine of the postindustrial landscape. The gardens, each with its own unique character and color-a bright green spiral fern garden, a pink-green parterre garden, a silver-gold roof garden, a climbing rose garden, and a tranquil water lily garden-set within obsolete coal and ore bunkers and cooling tower pools and framed by dead industrial fragments, transform the ruin into a reliquary, a sacred container of memories, myths, and fa...
The re-greening of post-industrial sites creates distinct landscapes, perhaps a new form of idyllic ...
The distinction between gardens and landscapes often seems obvious according to our Western concepti...
Since the middle of the 19th century, when the term ‘landscape architecture’ began to replace the hi...
Lying in the wake of accelerated technological advancement is a landscape of economic and environmen...
Lecture was recorded on a Lapel Microphone, using a Cassette Tape.The Machine In The Garden (also th...
In this essay I will suggest Leo Marx’s debt to a style of thinking about technology which cuts agai...
<p>The garden presents itself as an area consciously created by the human being. Its representation ...
"For centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broad...
Joseph von Eichendorff’s 1819 romantic fairy tale, The Marble Statue, with its enchanted yet threate...
This article uses a surprising horticultural event—an unplanned, collective ‘theft’ of plants from t...
Twenty-two years ago, Germany was reunified as a single state. Waste land, pollution and empty build...
Wissenschaftliches Kolloquium vom 27. bis 30. Juni 1996 in Weimar an der Bauhaus-Universität zum The...
In this issue of SPOOL Landscape Metropolis #6, designerly and discursive work on gardens in the met...
Few architectures have ever been so widely adored and discussed as that of the garden. For it has se...
Gardens and the mnemonic impetusGardens and arboreta have long been regarded as a ‘palliative for me...
The re-greening of post-industrial sites creates distinct landscapes, perhaps a new form of idyllic ...
The distinction between gardens and landscapes often seems obvious according to our Western concepti...
Since the middle of the 19th century, when the term ‘landscape architecture’ began to replace the hi...
Lying in the wake of accelerated technological advancement is a landscape of economic and environmen...
Lecture was recorded on a Lapel Microphone, using a Cassette Tape.The Machine In The Garden (also th...
In this essay I will suggest Leo Marx’s debt to a style of thinking about technology which cuts agai...
<p>The garden presents itself as an area consciously created by the human being. Its representation ...
"For centuries, the garden has been regarded as a mirror of society, a microcosm, in which the broad...
Joseph von Eichendorff’s 1819 romantic fairy tale, The Marble Statue, with its enchanted yet threate...
This article uses a surprising horticultural event—an unplanned, collective ‘theft’ of plants from t...
Twenty-two years ago, Germany was reunified as a single state. Waste land, pollution and empty build...
Wissenschaftliches Kolloquium vom 27. bis 30. Juni 1996 in Weimar an der Bauhaus-Universität zum The...
In this issue of SPOOL Landscape Metropolis #6, designerly and discursive work on gardens in the met...
Few architectures have ever been so widely adored and discussed as that of the garden. For it has se...
Gardens and the mnemonic impetusGardens and arboreta have long been regarded as a ‘palliative for me...
The re-greening of post-industrial sites creates distinct landscapes, perhaps a new form of idyllic ...
The distinction between gardens and landscapes often seems obvious according to our Western concepti...
Since the middle of the 19th century, when the term ‘landscape architecture’ began to replace the hi...