Add to ORKGGenuine culture can never claim a unique origin. Its validity and its richness are drawn from a long interaction within human society. The centres of cultures, historicized as centres of civilization, have been constantly travelling and traversing at the same pace as human curiosity, and curiosity is as old as being
Series Editors: Reina Lewis & Elizabeth Wilson Advisory Board: Christopher Breward, Hazel Clark, Joa...
This paper explores the way Shonabare's work debunks the essentializing categories of 'modern' and '...
This paper gives an overview of the shifting contexts for fashion design and fashion communication a...
Genuine culture can never claim a unique origin. Its validity and its richness are drawn from a long...
none1noIt is difficult to apply the concept of ‘authenticity’ to the case of fashion, which has alwa...
The “…adornment of the body pre-dates all other known forms of decoration; that clothes express the ...
Fashion and Ethnicity is a book-length monograph that explores how fashion expresses and exploits id...
examine the dominant conversations on cultural appropriation. The first part of the essay will exami...
This thesis aims at showcasing the movement of African cultural meaning from Africa to Europe by Eur...
Clothing and dress are among the most central and common aspects of social and cultural life around ...
AbstractCulture, as a sign of identity, becomes a contentious issue now more alive when creating a s...
In Fashion and Cultural Studies, Susan Kaiser asks if cultural appropriation can be seen as “a somew...
Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple m...
Identity is acquiring a new importance in fashion studies that goes beyond the sphere of personal co...
This article attempts to answer the question: Does cross-culture impact on the territorial identity ...
Series Editors: Reina Lewis & Elizabeth Wilson Advisory Board: Christopher Breward, Hazel Clark, Joa...
This paper explores the way Shonabare's work debunks the essentializing categories of 'modern' and '...
This paper gives an overview of the shifting contexts for fashion design and fashion communication a...
Genuine culture can never claim a unique origin. Its validity and its richness are drawn from a long...
none1noIt is difficult to apply the concept of ‘authenticity’ to the case of fashion, which has alwa...
The “…adornment of the body pre-dates all other known forms of decoration; that clothes express the ...
Fashion and Ethnicity is a book-length monograph that explores how fashion expresses and exploits id...
examine the dominant conversations on cultural appropriation. The first part of the essay will exami...
This thesis aims at showcasing the movement of African cultural meaning from Africa to Europe by Eur...
Clothing and dress are among the most central and common aspects of social and cultural life around ...
AbstractCulture, as a sign of identity, becomes a contentious issue now more alive when creating a s...
In Fashion and Cultural Studies, Susan Kaiser asks if cultural appropriation can be seen as “a somew...
Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple m...
Identity is acquiring a new importance in fashion studies that goes beyond the sphere of personal co...
This article attempts to answer the question: Does cross-culture impact on the territorial identity ...
Series Editors: Reina Lewis & Elizabeth Wilson Advisory Board: Christopher Breward, Hazel Clark, Joa...
This paper explores the way Shonabare's work debunks the essentializing categories of 'modern' and '...
This paper gives an overview of the shifting contexts for fashion design and fashion communication a...