Add to ORKGSince the mid-1990s, Japanese and American museum curators have experienced a firestorm of criticism for their exhibits on the Second World War, highlighting the relationship between museums, their audiences and the professional responsibilities of curators
Art and War in Japan and its Empire: 1931-1960 is an anthology that investigates the impact of the F...
Abstract The Yushukan, a museum that chronicles the challenges Japan faced during World War II, resi...
“Narratives of Peace and Progress: Atomic Museums in Japan and New Mexico” explores the way distinct...
The Japanese government has a vested interest in either avoiding discussion of its war-torn past or ...
For more about the East-West Center, see http://www.eastwestcenter.org/Earlier this year the Smithso...
We have had few studies of international comparison about the exhibition of Anti war Museum between ...
This paper examines a recent controversy at the new Canadian War Museum over its exhibition on the A...
What is the relationship between the museum and the state? More precisely, in what way does the publ...
The ambitious exhibition The Family of Man, which made the popular culture of press photography an A...
Museums are the cathedrals of the twenty-first century, in that they have filled the void left by th...
World War II brought U.S. art museums and key branches of the federal government together to assess,...
In this chapter, Allen widens our transnational understanding of memories of World War Two in Asia a...
This dissertation seeks to place the so-called Enola Gay controversy of 1994-5 into the wider contex...
IPSHU Research Report Series No.33 : The First International symposium 2017 hosted by Institute for ...
This digital exhibit situates the art of Hiroshima native Shikoku Gorō in the context of antiwar, ...
Art and War in Japan and its Empire: 1931-1960 is an anthology that investigates the impact of the F...
Abstract The Yushukan, a museum that chronicles the challenges Japan faced during World War II, resi...
“Narratives of Peace and Progress: Atomic Museums in Japan and New Mexico” explores the way distinct...
The Japanese government has a vested interest in either avoiding discussion of its war-torn past or ...
For more about the East-West Center, see http://www.eastwestcenter.org/Earlier this year the Smithso...
We have had few studies of international comparison about the exhibition of Anti war Museum between ...
This paper examines a recent controversy at the new Canadian War Museum over its exhibition on the A...
What is the relationship between the museum and the state? More precisely, in what way does the publ...
The ambitious exhibition The Family of Man, which made the popular culture of press photography an A...
Museums are the cathedrals of the twenty-first century, in that they have filled the void left by th...
World War II brought U.S. art museums and key branches of the federal government together to assess,...
In this chapter, Allen widens our transnational understanding of memories of World War Two in Asia a...
This dissertation seeks to place the so-called Enola Gay controversy of 1994-5 into the wider contex...
IPSHU Research Report Series No.33 : The First International symposium 2017 hosted by Institute for ...
This digital exhibit situates the art of Hiroshima native Shikoku Gorō in the context of antiwar, ...
Art and War in Japan and its Empire: 1931-1960 is an anthology that investigates the impact of the F...
Abstract The Yushukan, a museum that chronicles the challenges Japan faced during World War II, resi...
“Narratives of Peace and Progress: Atomic Museums in Japan and New Mexico” explores the way distinct...