Add to ORKGSenior Project submitted to The Division of Arts of Bard College. An exploration of historical performance practice through J.S. Bach\u27s cantatas BWV 131 and BWV 111
The Collegium Musicum at the Caine College of the Arts embodies a project-based approach to the perf...
textThe compositional peculiarities of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 ma...
textThe keyboard toccatas of J. S. Bach, BWV 910-916, present a formidable challenge of interpretati...
This study aims to provide a critique of Baroque performance practice, with specific reference to th...
This creative project explores the musical performer’s obligation to fully investigating traditiona...
This dissertation investigates changing tastes in the performance practice of Johann Sebastian Bach\...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
Pedagogues often advise that, when placing a student in competition, we should avoid the works of J....
Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percenta...
abstract: This creative project provides an adaptation of J. S. Bach’s Goldberg Variations, BWV 988,...
This document explores the role of the baroque violin practices of bowing, chord playing, and slurri...
L’objectiu d’aquest projecte és estudiar la recepció de l’obra de Bach des de la seva vida fins l’ac...
This dissertation explores J. S. Bach's Six Brandenburg Concertos in the light of a Bildprogrammati...
Despite continuing scholarship into performance practice of the Baroque and Classical eras, confusio...
An overview of Baroque Performance Practice is essential when performing Jauchzet Gott in Allen Land...
The Collegium Musicum at the Caine College of the Arts embodies a project-based approach to the perf...
textThe compositional peculiarities of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 ma...
textThe keyboard toccatas of J. S. Bach, BWV 910-916, present a formidable challenge of interpretati...
This study aims to provide a critique of Baroque performance practice, with specific reference to th...
This creative project explores the musical performer’s obligation to fully investigating traditiona...
This dissertation investigates changing tastes in the performance practice of Johann Sebastian Bach\...
The paper summarises the lessons and conclusions of a large study of over 100 recordings of Johann S...
Pedagogues often advise that, when placing a student in competition, we should avoid the works of J....
Among the existing body of literature on J.S. Bach’s massive compositional output, a scarce percenta...
abstract: This creative project provides an adaptation of J. S. Bach’s Goldberg Variations, BWV 988,...
This document explores the role of the baroque violin practices of bowing, chord playing, and slurri...
L’objectiu d’aquest projecte és estudiar la recepció de l’obra de Bach des de la seva vida fins l’ac...
This dissertation explores J. S. Bach's Six Brandenburg Concertos in the light of a Bildprogrammati...
Despite continuing scholarship into performance practice of the Baroque and Classical eras, confusio...
An overview of Baroque Performance Practice is essential when performing Jauchzet Gott in Allen Land...
The Collegium Musicum at the Caine College of the Arts embodies a project-based approach to the perf...
textThe compositional peculiarities of the Grave of Johann Sebastian Bach’s Toccata in C, BWV 564 ma...
textThe keyboard toccatas of J. S. Bach, BWV 910-916, present a formidable challenge of interpretati...