First paragraph: Across his two Cinema books Deleuze contends that because cinema puts movement into the image films can be understood as autonomous thinking machines that provide viewers with the material conditions for thought. This is to say, thinking occurs courtesy of the more-than-human assemblage of the biological brain and an agential non-human thinking machine. In Cinema 2, Deleuze further maintains that the cinema’s essence “has thought as its higher purpose, nothing but thought and its functioning.” As arguably the most “philosophical” of all the cinematic genres, science fiction has long harnessed cutting edge industrial techniques and adopted a futural (or parallel) narrative tense to provoke viewers to think through the tec...