This article is an attempt to present an exhaustive and interpretative guide to the many symbolic aspects in Max Frisch’s HOMO FABER. Although some of these symbols are very evident, others are not, and demand a very good knowledge of the Greek culture and a solid interpretation to reach the deep level of the novel. With this work we hope that the common cultivated reader might achieve an integral reading of the novel on its many levels. First we analyze the symbolic use of TIME and its many mergings with the meaning and the formal structure of the novel: Faber’s travels, the analepses and prolepses, their use and meaning. Afterwards we proceed to a counting and detailed analysis of the many symbolic aspects of the novel in connection with ...
This text gives a view over greek mythical and literary images, especially those that Sófocles prese...
Primera parte de un artículo dividido en dos que analiza la profunda reinterpretación que del mito ...
Throughout a theorization of the disfiguration motive in some novels, theatrical and cinematographic...
The journey as a literary motive occupies a central position in Max Frisch’s novel Homo Faber (1957)...
Max Frisch’s prose trilogy, formed by the novels Stiller, Homo faber and Mein Name sei Gantenbein, b...
This paper studies the incorporation of Longo’s Daphnis and Chloe in the Damasio de Frías’ Lidamarte...
Unlike Schiller Goethe determined in Maximen und Reflexionen that the symbol as image is not to be a...
In this article the author tries to devise a rigorous method that will avoid generalizations as well...
Byzantine book epigrams can be defined as poems that are found in Late Antique and Medieval Greek ma...
Como es sabido, y a pesar de su datación temprana, la versión castellana de la novela de Apolonio es...
El objeto de esta contribución es examinar la construcción del mito de Salomé en el canon literario...
This article reflects on the conference The Dionysian Vision of the World and the book The Birth of ...
The subject of Max Frisch’s novels Stiller and Homo Faber is the difficult relationship between the ...
Ulises Adsuara, el protagonista de Son de mar, profesor de Lengua y Literatura griega y latina, reap...
The present paper intends to approach Walker Percy’s view of human language. This novelist, consigne...
This text gives a view over greek mythical and literary images, especially those that Sófocles prese...
Primera parte de un artículo dividido en dos que analiza la profunda reinterpretación que del mito ...
Throughout a theorization of the disfiguration motive in some novels, theatrical and cinematographic...
The journey as a literary motive occupies a central position in Max Frisch’s novel Homo Faber (1957)...
Max Frisch’s prose trilogy, formed by the novels Stiller, Homo faber and Mein Name sei Gantenbein, b...
This paper studies the incorporation of Longo’s Daphnis and Chloe in the Damasio de Frías’ Lidamarte...
Unlike Schiller Goethe determined in Maximen und Reflexionen that the symbol as image is not to be a...
In this article the author tries to devise a rigorous method that will avoid generalizations as well...
Byzantine book epigrams can be defined as poems that are found in Late Antique and Medieval Greek ma...
Como es sabido, y a pesar de su datación temprana, la versión castellana de la novela de Apolonio es...
El objeto de esta contribución es examinar la construcción del mito de Salomé en el canon literario...
This article reflects on the conference The Dionysian Vision of the World and the book The Birth of ...
The subject of Max Frisch’s novels Stiller and Homo Faber is the difficult relationship between the ...
Ulises Adsuara, el protagonista de Son de mar, profesor de Lengua y Literatura griega y latina, reap...
The present paper intends to approach Walker Percy’s view of human language. This novelist, consigne...
This text gives a view over greek mythical and literary images, especially those that Sófocles prese...
Primera parte de un artículo dividido en dos que analiza la profunda reinterpretación que del mito ...
Throughout a theorization of the disfiguration motive in some novels, theatrical and cinematographic...