Reynolds Gallery is pleased to present Following the Light an exhibition of paintings by Mark Bowles, a native Californian artist whose work reflects his fascination of texture, form and color. Northern California has inspired a remarkably diverse tradition and distinguished procession of landscape painters that reaches back into the 19th century. This exhibition celebrates Mark Bowles\u27 achievement and dedication to this tradition. Bowles complicates and enriches this tradition by embracing the broad plains of the Central Valley as his preferred subject matter. His large-scale paintings are composed within the investigations and dialectic occurring between contemporary painters, moving freely among the richness of color field and represe...
The exhibition is made up of paintings in oil or canvas which experiment with nonplaner surfaces and...
Student composed text panel: R. Geoffrey Blackburn (American 1947)Red Canyons, 1980SerigraphUND Art ...
Conscious Light is a supportive statement for an exhibition of paintings that employ reflective colo...
Reynolds Gallery is pleased to present Following the Light an exhibition of paintings by Mark Bowles...
The Reynolds Gallery proudly presents, A Passion for Light: A Twenty-Year Retrospective. Gleaned fro...
The Reynolds Gallery presents, Goines Posters: 1968 - 2013, a solo exhibition by American artist, ca...
February 12 to March 21, 2013 Oil on canvas, 60 x 48 Artist’s Statement: These Abstractions evolve...
This exhibition featured forty paintings by Kondos, a native Californian of Greek ancestry who, at 8...
Introductory panel for the exhibition Michael Gallagher: Sketching the Landscape – A Plein Air Journ...
An exhibition and publication produced to coinside with the planting of The Walled Garden Project at...
University of the Pacific\u27s Reynolds Gallery is pleased to present a solo exhibition of large-sca...
Introductory panel for the exhibition Michael Gallagher — Sketching the Landscape: A Plein Air Journ...
Valley Impressions: Historic Block Prints and Watercolors by William S. Rice on view from March 1 - ...
The Reynolds Gallery\u27s juried exhibition, In Dialogue with Ansel Adams, features eleven original ...
Martin Barnes Senior Curator of Photographs The Victoria & Albert Museum, London gives his view on ...
The exhibition is made up of paintings in oil or canvas which experiment with nonplaner surfaces and...
Student composed text panel: R. Geoffrey Blackburn (American 1947)Red Canyons, 1980SerigraphUND Art ...
Conscious Light is a supportive statement for an exhibition of paintings that employ reflective colo...
Reynolds Gallery is pleased to present Following the Light an exhibition of paintings by Mark Bowles...
The Reynolds Gallery proudly presents, A Passion for Light: A Twenty-Year Retrospective. Gleaned fro...
The Reynolds Gallery presents, Goines Posters: 1968 - 2013, a solo exhibition by American artist, ca...
February 12 to March 21, 2013 Oil on canvas, 60 x 48 Artist’s Statement: These Abstractions evolve...
This exhibition featured forty paintings by Kondos, a native Californian of Greek ancestry who, at 8...
Introductory panel for the exhibition Michael Gallagher: Sketching the Landscape – A Plein Air Journ...
An exhibition and publication produced to coinside with the planting of The Walled Garden Project at...
University of the Pacific\u27s Reynolds Gallery is pleased to present a solo exhibition of large-sca...
Introductory panel for the exhibition Michael Gallagher — Sketching the Landscape: A Plein Air Journ...
Valley Impressions: Historic Block Prints and Watercolors by William S. Rice on view from March 1 - ...
The Reynolds Gallery\u27s juried exhibition, In Dialogue with Ansel Adams, features eleven original ...
Martin Barnes Senior Curator of Photographs The Victoria & Albert Museum, London gives his view on ...
The exhibition is made up of paintings in oil or canvas which experiment with nonplaner surfaces and...
Student composed text panel: R. Geoffrey Blackburn (American 1947)Red Canyons, 1980SerigraphUND Art ...
Conscious Light is a supportive statement for an exhibition of paintings that employ reflective colo...