Antonio Michelazzi i Francesco Cabianca: nova djela u Italiji i Hrvatskoj

New scholarly insights about the sculptor and altar builder Antonio Michelazzi (Gradisca d’Isonzo, 1707 – Rijeka, 1771) have revealed him as a far more complex creative personality than it has been known so far. In this paper, the authors have attributed to him the marble statues of St John the Baptist and St Mark on the high altar of the parish church of San Biagio in Cinto Caomaggiore. Michelazzi’s authorship of the marble altar of the Holy Cross in the parish church of the Assumption of Mary in Rijeka has also been confirmed, based on a certificate from 1740 on the receipt of 150 gold coins for work on this altar. Besides Michelazzi’s statues in Cinto, there is a statue of Faith on the high altar, identified as work of the Venetian sculptor Francesco Cabianca (Venice, 1666-1737). A number of other sculptures have been attributed to him, including two marble angels in the parish church of Preganziol, which have been dated in 1697 and were originally located in the church of San Cristoforo in Udine. Cabianca is the author of four marble statues of the Evangelists (auction house), as well as of sculptural decoration on the high altar of the parish church of Sant’Andrea in Cereda. His catalogue of private commissions has been enriched with five newly attributed marble busts from the second decade of the 18th century. These include the busts of Flora and Apollo in the Winter Garden of Saint Petersburg, a bust of a girl (auction house) and two busts of girls from the convent of San Lazzaro degli Armeni in Venice. The marble relief of Ecce Homo in the church of Il Redentore in Venice and the angels on the altar of the Blessed Sacrament in the church of St Simeon in Zadar have also been attributed to Cabianca. Finally, a terracotta sculpture of St John the Evangelist (auction house) has been identified as the first model for a large marble statue of the same saint at the Scuola Grande di San Giovanni Evangelista in Venice.Nove znanstvene spoznaje o kiparu i altaristu Antoniju Michelazziju (Gradisca d\u27Isonzo, 1707. – Rijeka, 1771.) pokazale su kako je riječ o kudikamo kompleksnijoj stvaralačkoj ličnosti, nego što je to do sada bilo poznato. Ovom mu se prigodom pripisuju mramorni kipovi sv. Ivana Krstitelja i sv. Marka na glavnom oltaru župne crkve San Biagio u Cinto Caomaggioreu. Potvrđuje se i Michelazzijevo autorstvo mramornog oltara Svetog Križa u župnoj crkvi Marijina Uznesenja u Rijeci, a na temelju potvrde iz 1740. o primitku 150 zlatnika za rad na ovom oltaru. Uz Michelazzijeve kipove u Cintu na glavnom je oltaru smješten kip Vjere koji se prepoznaje kao djelo venecijanskog kipara Francesca Cabiance (Venecija, 1666. – 1737.). Njemu se pripisuje niz drugih skulptura počevši od dvaju mramornih anđela u župnoj crkvi u Preganziolu, a za koje je utvrđeno da su nastali 1697. i izvorno se nalazili u crkvi San Cristoforo u Udinama. Cabianca je isklesao četiri mramorna kipa evanđelista (aukcijska kuća), kao i kiparsku dekoraciju na glavnom oltaru župne crkve Sant\u27Andrea u Ceredi. Njegov katalog za privatne naručitelje oplemenjen je s pet novih mramornih bista nastalih tijekom drugog desetljeća 18. stoljeća. To su poprsja Flore i Apolona u Zimskom vrtu u Sankt-Peterburgu, bista Djevojke (aukcijska kuća) te dva poprsja Djevojaka iz samostana San Lazzaro degli Armeni u Veneciji. Kao Cabiancin rad prepoznaje se i mramorni reljef Ecce Homo u crkvi Il Redentore u Veneciji te anđeli na oltaru Presvetog Sakramenta u crkvi Svetog Šime u Zadru. Konačno, terakotna skulptura svetog Ivana Evanđelista (aukcijska kuća) prepoznaje se kao prvi model za veliki mamorni kip istoimenog sveca u Scuola Grande di San Giovanni Evangelista u Veneciji