En una posible tipología de los discursos, el discurso periodístico se encontraría entre el histórico y la fiction. De su proximidad y lejanía con estos tipos de discursos cabe una reflexión sobre la construcción del acontecimiento, entendido este como configuración discursiva. El discurso periodístico hoy puede ser predominante en la historia del presente (Zeitgeschichte).Un ejemplo de los procedimientos de estrategias discursivas en todos ellos lo ofrece el caso paradigmático de Wikileaks.A possible tipology of discourses would set the journalistic discourse between the historical and the fictional ones. Considering its proximity and distance to this type of discourses, we should discuss about the construction of the Event, understood as ...
The basic difference between fiction and history, as discursive forms, is that the historic events a...
Relevance of Story as a Sense of Reality is a critical and synthetic work, nourished by the homonym ...
This article shows how the narrator can tell more than what the journalistic nonfiction orthodoxy di...
The paper takes up the question about the place of the Literature; as a rhetorical textuality, as we...
El periodismo se caracteriza como una interfaz discursiva que incardina texto y contexto, y ello ha ...
The nature and limits of the historical discourse, its shaping itself, and even the possibility of r...
The paper reviews the concept of "genre" under the premise that it is not only a form of organizatio...
La comparación por contraste entre el discurso literario y el histórico permite analizar metodológic...
This paper exposes current debates in the field of Legal Semiotics about two topics: the narrative n...
Este ensayo informa del estado de los debates en el campo de la Semiótica Jurídica sobre dos temas: ...
Starting in the 19thcentury and with a higher emphasis in the 20th and 21st centuries, journalism ha...
El periodismo escrito en los tiempos actuales se caracteriza por el poder de la narración aunque par...
Las fronteras entre periodismo y literatura son cada vez más difusas. La simbiosis entre ambas disci...
The newsworthiness of an event does not depend only on the event itself, but on what the journalist ...
This essay invites to a reflection, from the literary studies, about the methodology of research in ...
The basic difference between fiction and history, as discursive forms, is that the historic events a...
Relevance of Story as a Sense of Reality is a critical and synthetic work, nourished by the homonym ...
This article shows how the narrator can tell more than what the journalistic nonfiction orthodoxy di...
The paper takes up the question about the place of the Literature; as a rhetorical textuality, as we...
El periodismo se caracteriza como una interfaz discursiva que incardina texto y contexto, y ello ha ...
The nature and limits of the historical discourse, its shaping itself, and even the possibility of r...
The paper reviews the concept of "genre" under the premise that it is not only a form of organizatio...
La comparación por contraste entre el discurso literario y el histórico permite analizar metodológic...
This paper exposes current debates in the field of Legal Semiotics about two topics: the narrative n...
Este ensayo informa del estado de los debates en el campo de la Semiótica Jurídica sobre dos temas: ...
Starting in the 19thcentury and with a higher emphasis in the 20th and 21st centuries, journalism ha...
El periodismo escrito en los tiempos actuales se caracteriza por el poder de la narración aunque par...
Las fronteras entre periodismo y literatura son cada vez más difusas. La simbiosis entre ambas disci...
The newsworthiness of an event does not depend only on the event itself, but on what the journalist ...
This essay invites to a reflection, from the literary studies, about the methodology of research in ...
The basic difference between fiction and history, as discursive forms, is that the historic events a...
Relevance of Story as a Sense of Reality is a critical and synthetic work, nourished by the homonym ...
This article shows how the narrator can tell more than what the journalistic nonfiction orthodoxy di...