Add to ORKGI aim today to bring you face to face with a name, a person, you might never have heard of – Lydia Howarde. Through Lydia Howarde and her theatrical Troupe I hope to challenge some of the perceptions you may have of the nineteenth century theatrical experience in colonial New Zealand and of the role leading females played in this experience
Catherine ('Kitty') Clive (1711-1785) was the most famous singer-actress of mideighteenth century Lo...
Midwest Victorian Studies Association. Meeting (2007)published or submitted for publicationnot peer ...
As a consequence to Gilbert and Sullivan's famed Carpet Quarrel, two operettas with decidedly "exoti...
I aim today to bring you face to face with a name, a person, you might never have heard of – Lydia H...
Lydia Hayward—born in the last quarter of the nineteenth century in Sheffield, England, to a father ...
Catherine Clarissa Jones was born in England and migrated to New Zealand as a child. She married Wil...
Dramatis Personae (in order of appearance) Marian Evans (Mrs. Lewes) (George Eliot) (left) was born ...
The musical comedienne Anna Russell once said that it seemed to her that everywhere she was travelin...
Spectator Narratives: Print Representations of Performance and Nineteenth-Century Audiences examines...
Miss W Treads is a theatrical encounter with one of Australia’s early performers. A young researcher...
Mark Houlahan University of Waikato Henry the Fifth in 1972: learning from Ngaio Marsh In the evenin...
Theatres established throughout New Zealand during the mid-nineteenth century offered colonial audie...
Adrienne Simpson's recent seminar at the Stout Centre on the Simonsen Opera Company gave striking ev...
Anae, N ORCiD: 0000-0001-8441-2771Many leading ladies of the nineteenth century stage have attracted...
Polly refers to Miss Polly Peachum, a character in John Gay\u27s The Beggar\u27s Opera of 1728 (Janu...
Catherine ('Kitty') Clive (1711-1785) was the most famous singer-actress of mideighteenth century Lo...
Midwest Victorian Studies Association. Meeting (2007)published or submitted for publicationnot peer ...
As a consequence to Gilbert and Sullivan's famed Carpet Quarrel, two operettas with decidedly "exoti...
I aim today to bring you face to face with a name, a person, you might never have heard of – Lydia H...
Lydia Hayward—born in the last quarter of the nineteenth century in Sheffield, England, to a father ...
Catherine Clarissa Jones was born in England and migrated to New Zealand as a child. She married Wil...
Dramatis Personae (in order of appearance) Marian Evans (Mrs. Lewes) (George Eliot) (left) was born ...
The musical comedienne Anna Russell once said that it seemed to her that everywhere she was travelin...
Spectator Narratives: Print Representations of Performance and Nineteenth-Century Audiences examines...
Miss W Treads is a theatrical encounter with one of Australia’s early performers. A young researcher...
Mark Houlahan University of Waikato Henry the Fifth in 1972: learning from Ngaio Marsh In the evenin...
Theatres established throughout New Zealand during the mid-nineteenth century offered colonial audie...
Adrienne Simpson's recent seminar at the Stout Centre on the Simonsen Opera Company gave striking ev...
Anae, N ORCiD: 0000-0001-8441-2771Many leading ladies of the nineteenth century stage have attracted...
Polly refers to Miss Polly Peachum, a character in John Gay\u27s The Beggar\u27s Opera of 1728 (Janu...
Catherine ('Kitty') Clive (1711-1785) was the most famous singer-actress of mideighteenth century Lo...
Midwest Victorian Studies Association. Meeting (2007)published or submitted for publicationnot peer ...
As a consequence to Gilbert and Sullivan's famed Carpet Quarrel, two operettas with decidedly "exoti...