The purpose of this study was to clarify the changes in Galvanic Skin Reflex (GSR) and Heart Rate (HR) while appreciating a dance piece under various conditions and while imagining it, and to survey the time errors while imagining it. Conditions for appreciating the dance piece were as follows: I: audio and visual II: only accompaniment music (audio) III: only picture (visual) The length of the dance piece used in this study was about 10 minutes. Subjects were 12 female university students (4 performers of this piece, 4 students of the department of dance, and 4 general students), aged from 20 to 23 years. Results of the experiment were as follows: 1) In the group of performers, the rate of increase of HR was rather high under all condition...
Movements are capable of conveying emotions, as shown for instance in studies on both non-verbal ges...
Dance and music often co-occur as evidenced when viewing choreographed dances or singers moving whil...
Past research demonstrates that we are more likely to positively evaluate a stimulus if we have had ...
The purpose of this study was to test whether or not audiences could experience emotions portrayed b...
Dancing emphasizes the motor expression of emotional experiences. The bodily expression of emotions ...
Includes bibliographical references (leaves 35-38)Dance is a complex activity requiring a combinatio...
Includes bibliographical references (pages 48-53)Dancers are a unique group of athletes that self-re...
Watching dance is a multisensory experience. In dance, movements are intertwined with music and/or s...
Emotional engagement and aesthetic appreciation can be prime motivations for engaging with dance. Da...
Contains fulltext : 140255.pdf (publisher's version ) (Open Access)Previous resear...
There is no doubt that many people feel the peace of mind or the pleasures of senses in appreciating...
It is well established that emotional responses to stimuli presented to one perceptive modality (e.g...
The objective of the present work was the characterization of mechanisms by which affective experien...
Recent theories emphasize the dynamic aspects of emotions. However, the physiological measures and t...
Emotions color all aspects of our interaction with music. Not only composing music or playing a musi...
Movements are capable of conveying emotions, as shown for instance in studies on both non-verbal ges...
Dance and music often co-occur as evidenced when viewing choreographed dances or singers moving whil...
Past research demonstrates that we are more likely to positively evaluate a stimulus if we have had ...
The purpose of this study was to test whether or not audiences could experience emotions portrayed b...
Dancing emphasizes the motor expression of emotional experiences. The bodily expression of emotions ...
Includes bibliographical references (leaves 35-38)Dance is a complex activity requiring a combinatio...
Includes bibliographical references (pages 48-53)Dancers are a unique group of athletes that self-re...
Watching dance is a multisensory experience. In dance, movements are intertwined with music and/or s...
Emotional engagement and aesthetic appreciation can be prime motivations for engaging with dance. Da...
Contains fulltext : 140255.pdf (publisher's version ) (Open Access)Previous resear...
There is no doubt that many people feel the peace of mind or the pleasures of senses in appreciating...
It is well established that emotional responses to stimuli presented to one perceptive modality (e.g...
The objective of the present work was the characterization of mechanisms by which affective experien...
Recent theories emphasize the dynamic aspects of emotions. However, the physiological measures and t...
Emotions color all aspects of our interaction with music. Not only composing music or playing a musi...
Movements are capable of conveying emotions, as shown for instance in studies on both non-verbal ges...
Dance and music often co-occur as evidenced when viewing choreographed dances or singers moving whil...
Past research demonstrates that we are more likely to positively evaluate a stimulus if we have had ...