This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers to...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
This book is the most authoritative and up-to-date source of quick reference on the Baroque composer...
International audienceWithin the project of Jean-Philippe Rameau's opera omnia, edited by Sylvie Bou...
International audienceWithin the project of Jean-Philippe Rameau's opera omnia, edited by Sylvie Bou...
This study explores performance practices used in French choral music of the late Baroque era, using...
This thesis is a study of the solo and ensemble harpsichord works of Jean-Philippe Rameau (1683-1764...
Jean-Philippe Rameau (1683-1764) is remembered today as a composer and music theorist. He contribute...
Cette livraison du Catalogue thématique, conçu en cinq tomes, s'inscrit dans le série VI (érudtion) ...
It is assumed that the performer of Le Berger Fidele will be capable of a more accurate performance ...
Opera omnia (OOR VI.1/2)<br />Ouvrage réalisé avec la collaboration de Pascal DenécheauLe deuxième t...
Cette livraison du Catalogue thématique, conçu en cinq tomes, s'inscrit dans le série VI (érudtion) ...
Rameau, Jean Philippe (1683-1764) À Paris: Chez l'Auteur..., La Veuve Boivin..., M. Le Clair... Avec...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
This book is the most authoritative and up-to-date source of quick reference on the Baroque composer...
International audienceWithin the project of Jean-Philippe Rameau's opera omnia, edited by Sylvie Bou...
International audienceWithin the project of Jean-Philippe Rameau's opera omnia, edited by Sylvie Bou...
This study explores performance practices used in French choral music of the late Baroque era, using...
This thesis is a study of the solo and ensemble harpsichord works of Jean-Philippe Rameau (1683-1764...
Jean-Philippe Rameau (1683-1764) is remembered today as a composer and music theorist. He contribute...
Cette livraison du Catalogue thématique, conçu en cinq tomes, s'inscrit dans le série VI (érudtion) ...
It is assumed that the performer of Le Berger Fidele will be capable of a more accurate performance ...
Opera omnia (OOR VI.1/2)<br />Ouvrage réalisé avec la collaboration de Pascal DenécheauLe deuxième t...
Cette livraison du Catalogue thématique, conçu en cinq tomes, s'inscrit dans le série VI (érudtion) ...
Rameau, Jean Philippe (1683-1764) À Paris: Chez l'Auteur..., La Veuve Boivin..., M. Le Clair... Avec...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...
The recent revival of interest in French music of the seventeenth and eighteenth centuries is long o...