In performances of graphic scores, the visually interesting material is usually hidden from the view of the audience. The visual aspect of the score is only communicated via sound, so that the graphic score may as well be written in traditional musical notation or ignored completely. As someone interested in the theatrical and visual aspects of musical performance, I want this act of reading to be demonstrated to the audience directly, rather than communicated via an act of translation through music. 'Make Each Face A Living Note' is an attempt to do this. It is an outline for a situation in which musical sounds may occur
This article reflects on the idea of the music score as a wearable theatrical prop, an idea able bot...
Development of the three line Raph notation system necessitated a change to screen reading, with pag...
International audience"Appetizer" presentation speech, program notes offer a form of symbolic framin...
In performances of graphic scores, the visually interesting material is usually hidden from the view...
The text will focus on the connection between moving image and music to what concerns the possibilit...
Music scores carry multiple strands of information, both simultaneous and sequential. A s...
Music scores carry multiple strands of information, both simultaneous and sequential. A score is a s...
This paper describes a generative score display system for algorithmic composition and score present...
This thesis examines practitioner perspectives on graphic scores and applies the findings composit...
Using unconventional music notation gives freedom to the performers and opens up to opportunities to...
Over the past ten years, performance scores have been radically foregrounded in a variety of perform...
This paper examines the screening of music notations and the impact of this configuration in a live ...
This CE is a form of music performance based on the music and recitals I came into contact with duri...
This article reflects on the idea of the music score as a wearable theatrical prop, an idea able bot...
The research presented here is product of a practice-based process that primarily generates knowledg...
This article reflects on the idea of the music score as a wearable theatrical prop, an idea able bot...
Development of the three line Raph notation system necessitated a change to screen reading, with pag...
International audience"Appetizer" presentation speech, program notes offer a form of symbolic framin...
In performances of graphic scores, the visually interesting material is usually hidden from the view...
The text will focus on the connection between moving image and music to what concerns the possibilit...
Music scores carry multiple strands of information, both simultaneous and sequential. A s...
Music scores carry multiple strands of information, both simultaneous and sequential. A score is a s...
This paper describes a generative score display system for algorithmic composition and score present...
This thesis examines practitioner perspectives on graphic scores and applies the findings composit...
Using unconventional music notation gives freedom to the performers and opens up to opportunities to...
Over the past ten years, performance scores have been radically foregrounded in a variety of perform...
This paper examines the screening of music notations and the impact of this configuration in a live ...
This CE is a form of music performance based on the music and recitals I came into contact with duri...
This article reflects on the idea of the music score as a wearable theatrical prop, an idea able bot...
The research presented here is product of a practice-based process that primarily generates knowledg...
This article reflects on the idea of the music score as a wearable theatrical prop, an idea able bot...
Development of the three line Raph notation system necessitated a change to screen reading, with pag...
International audience"Appetizer" presentation speech, program notes offer a form of symbolic framin...