Add to ORKGMezzo-soprano Clare McCaldin gives her perspective on developing and performing a recent program of songs in “Haydn’s London Ladies: Thoughts on Creating and Performing a Program.
This month, hundreds of singers from all walks of life will come together to make history singing in...
Teaching eighteenth-century music effectively, particularly at a conservatory where the students are...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
In a culture conducive to refining his compositions, Haydn was able to find success through his patr...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Includes recorded audio files in WAV and MP3 formats, 40:89 in lengthThe pieces that I selected for ...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
Includes recorded audio files in WAV and MP3 formats, 69:70 in lengthThis program contains musical w...
The world-renowned soprano Elly Ameling offers advice on vocal technique in and performance of the a...
For the better part of almost a decade and a half musicologist Irving Godt, a professor at Indiana U...
This paper focuses on Haydn’s use of drama in regard to his oratorio The Creation. To understand Hay...
Haydn’s keyboard sonatas have not received much attention in music theory textbooks—at least in comp...
This month, hundreds of singers from all walks of life will come together to make history singing in...
Teaching eighteenth-century music effectively, particularly at a conservatory where the students are...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
In a culture conducive to refining his compositions, Haydn was able to find success through his patr...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Includes recorded audio files in WAV and MP3 formats, 40:89 in lengthThe pieces that I selected for ...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
Includes recorded audio files in WAV and MP3 formats, 69:70 in lengthThis program contains musical w...
The world-renowned soprano Elly Ameling offers advice on vocal technique in and performance of the a...
For the better part of almost a decade and a half musicologist Irving Godt, a professor at Indiana U...
This paper focuses on Haydn’s use of drama in regard to his oratorio The Creation. To understand Hay...
Haydn’s keyboard sonatas have not received much attention in music theory textbooks—at least in comp...
This month, hundreds of singers from all walks of life will come together to make history singing in...
Teaching eighteenth-century music effectively, particularly at a conservatory where the students are...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...