Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticism, a fine collection edited by Mary Hunter and Richard Will, demonstrate the breadth and depth of a vigorous mainstream of American musicology. This mainstream is neither greatly invested in archival research nor overtly committed to ideological critique, but builds on strong traditions of interpretive, contextualizing criticism, supported by analytic observations, that have flourished in recent decades in Haydn studies as elsewhere
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
In his classic article “Sonata Form Problems” Jens Peter Larsen warned of analytic pitfalls that res...
This thesis illustrates the extraordinary quality of Haydn’s Cello Concerto in C, Hob. VIIb: 1, and ...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
Michael E. Ruhling reviews Raymond Knapp’s new book Making Light: Haydn, Musical Camp, and the Long ...
Anyone who has spent any serious analytical time with eighteenth-century music knows that standard f...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
How can In Search of Haydn can be used to encourage critical reading of composer documentaries more ...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
The following article offers a short chronicle of the scholarship on Haydn in Hungary since the late...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
Due to multiple causes, the most dramatic of which is surely the widespread publishing fraud in the ...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
In his classic article “Sonata Form Problems” Jens Peter Larsen warned of analytic pitfalls that res...
This thesis illustrates the extraordinary quality of Haydn’s Cello Concerto in C, Hob. VIIb: 1, and ...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
Michael E. Ruhling reviews Raymond Knapp’s new book Making Light: Haydn, Musical Camp, and the Long ...
Anyone who has spent any serious analytical time with eighteenth-century music knows that standard f...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
How can In Search of Haydn can be used to encourage critical reading of composer documentaries more ...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
The following article offers a short chronicle of the scholarship on Haydn in Hungary since the late...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
Due to multiple causes, the most dramatic of which is surely the widespread publishing fraud in the ...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
In his classic article “Sonata Form Problems” Jens Peter Larsen warned of analytic pitfalls that res...
This thesis illustrates the extraordinary quality of Haydn’s Cello Concerto in C, Hob. VIIb: 1, and ...