Add to ORKGIn March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 four times in the San Francisco Bay Area. Based on these American première performances of the entire four-movement work, we offer the following observations and comments
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
The long and illustrious musical career of Austrian composer Joseph Haydn was marked with great reno...
Anyone who has spent any serious analytical time with eighteenth-century music knows that standard f...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
The third movement of Symphony No. 47 has long been celebrated as one of Haydn’s most extraordinary ...
At the 2009 AMS Annual Meeting, William Drabkin (University of Southampton) presented his own compos...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Haydn’s “bloody harmonious war” is the composer’s punning description of the rivalry in London betwe...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
The long and illustrious musical career of Austrian composer Joseph Haydn was marked with great reno...
Anyone who has spent any serious analytical time with eighteenth-century music knows that standard f...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
The third movement of Symphony No. 47 has long been celebrated as one of Haydn’s most extraordinary ...
At the 2009 AMS Annual Meeting, William Drabkin (University of Southampton) presented his own compos...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Haydn’s “bloody harmonious war” is the composer’s punning description of the rivalry in London betwe...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
The long and illustrious musical career of Austrian composer Joseph Haydn was marked with great reno...
Anyone who has spent any serious analytical time with eighteenth-century music knows that standard f...