Add to ORKGTwo recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard music associated with Joseph Haydn’s years in England. Sylvia Berry performs the three great sonatas Hob. XVI:50-52; Patrick Hawkins plays the D major sonata from this group as a complement to the music of this work’s probable dedicatee, Maria Hester Park (née Reynolds)
The late piano trios of Joseph Haydn, which were published in London during his two trips there in 1...
Mezzo-soprano Clare McCaldin gives her perspective on developing and performing a recent program of ...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyb...
Two analytical case studies, from Haydn’s minuet al roverso (from the Symphony Hob. I: 47) and the o...
HSNA President Michael E. Ruhling remembers Advisory Board member and renown conductor/scholar Chris...
Haydn\u27s piano sonatas comprise a body of music which contains technical and stylistic demands des...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
The surviving original correspondence relating to Haydn’s folksong arrangements for George Thomson o...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
The late piano trios of Joseph Haydn, which were published in London during his two trips there in 1...
Mezzo-soprano Clare McCaldin gives her perspective on developing and performing a recent program of ...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...
Two recent recordings issued on the small US labels Acis and Navona share a common theme in keyboard...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
2015 will mark the 200th anniversary of the founding of Boston\u27s Handel and Haydn Society, the ol...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyb...
Two analytical case studies, from Haydn’s minuet al roverso (from the Symphony Hob. I: 47) and the o...
HSNA President Michael E. Ruhling remembers Advisory Board member and renown conductor/scholar Chris...
Haydn\u27s piano sonatas comprise a body of music which contains technical and stylistic demands des...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
The surviving original correspondence relating to Haydn’s folksong arrangements for George Thomson o...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
In 1787 Artaria, Haydn's publisher in Vienna, issued three versions of The Seven Last Words: the ori...
The late piano trios of Joseph Haydn, which were published in London during his two trips there in 1...
Mezzo-soprano Clare McCaldin gives her perspective on developing and performing a recent program of ...
The compositional career of Franz Joseph Haydn (1732-1809) spans a crucial period in Western musical...