Add to ORKGAt the 2009 AMS Annual Meeting, William Drabkin (University of Southampton) presented his own composition of a first movement for Haydn\u27s incomplete String Quartet, Op. 103. In this paper, Drabkin explains how he completed the quartet by writing a finale based on the fugue subject from a contemporary solo violin piece, and on the opening bars of Haydn\u27s own partsong Der Greis
This is the concert program of the Faculty Artist Series: Anthony Di Bonaventura performance on Wedn...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Sigismund Graf Schrattenbach, Prince-Archbishop of Salzburg, died 16 December 1771, at the age of 73...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
Forty-seven years ago, Daniel Heartz signed a contract to write an “Introduction to Classic Music” f...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
How can In Search of Haydn can be used to encourage critical reading of composer documentaries more ...
"Movements -- homage to Joseph Haydn" is commissioned by Dr. Helmut Sohmen, to commemorate the 200th...
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske...
Michael E. Ruhling reviews Raymond Knapp’s new book Making Light: Haydn, Musical Camp, and the Long ...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
This is the concert program of the Faculty Artist Series: Anthony Di Bonaventura performance on Wedn...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Sigismund Graf Schrattenbach, Prince-Archbishop of Salzburg, died 16 December 1771, at the age of 73...
In March, 2014, the New Esterházy Quartet performed William Drabkin’s completion of Haydn’s Op. 103 ...
Michael E. Ruhling’s “CD Review: Two Recent Recordings of The Creation” evaluates period-instrument ...
Violinist Aisslinn Nosky has made a solid mark on the performance of Haydn\u27s works and eighteenth...
Forty-seven years ago, Daniel Heartz signed a contract to write an “Introduction to Classic Music” f...
While reading Bryan Proksch’s study of Haydn’s reception over the past two hundred years, I remember...
James MacKay reviews Damschroder\u27s new, very detailed study, published by Cambridge University Pr...
Noted choral conductor William Weinert reviews currently available vocal-piano editions, full scores...
How can In Search of Haydn can be used to encourage critical reading of composer documentaries more ...
"Movements -- homage to Joseph Haydn" is commissioned by Dr. Helmut Sohmen, to commemorate the 200th...
DVD Review: Rossi, Luigi. L’Orfeo. Pygmalion, musical direction by Raphaël Pichon, staging by Jetske...
Michael E. Ruhling reviews Raymond Knapp’s new book Making Light: Haydn, Musical Camp, and the Long ...
Taken as a whole, the twelve new scholarly articles in Engaging Haydn: Culture, Context and Criticis...
This is the concert program of the Faculty Artist Series: Anthony Di Bonaventura performance on Wedn...
It has been just over thirty years since James Webster published his influential monograph Haydn’s “...
Sigismund Graf Schrattenbach, Prince-Archbishop of Salzburg, died 16 December 1771, at the age of 73...