Add to ORKGThe following is an experiment in theory and practice, and is therefore divided into two parts. The first introduces the concept of “the aural border”, my attempt to listen to the US-Mexico border as a geography of sound and music. The second explores this notion through an excerpt from a critical performance text of mine, “Border Sound Files: An Audio Essay”, which tells musical stories of the border as a key site of globalization
This article traces the workings of the border in Carlos Fuentes’ La frontera de cristal, Alejandro ...
Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. CMS Cultura...
This essay will consider the performative arts on the border, ranging from script-based plays to per...
The following is an experiment in theory and practice, and is therefore divided into two parts. The ...
During fall semester of 2010, I began taking students on five-day field trips to the Arizona–Mexico ...
AbstractBorder Encounters: American Cultural Politics and the U.S.-Mexico BorderbyJennifer Andrea Re...
My project argues that the U.S.-Mexico border is an assemblage of medial forms that are communicated...
This article applies an eco-critical approach to contemporary American fiction about the Canada-US b...
<p>Border Images and Imaginaries: Spectral Aesthetics and Visual Media of Americanity at the U.S.-Me...
This essay considers the hotly debated U.S. border and its relationship to music historiography vis-...
The Mexican city of Cuidad Juárez, Chihauhaua, across the river from El Paso, Texas, has become a fl...
An Introduction to the Exhibit:\ud From Kendra Dyanne Rivera, PhD\ud This exhibit is a multi-media ...
Contemporary cultural critics have theorized the multiple aspects of location in many different wa...
In Performing Borders: Guillermo Gómez-Peña, I examine selected interdisciplinary and multi-media wo...
This paper travels backwards, imagining impossibly a particular time and place in the past, to consi...
This article traces the workings of the border in Carlos Fuentes’ La frontera de cristal, Alejandro ...
Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. CMS Cultura...
This essay will consider the performative arts on the border, ranging from script-based plays to per...
The following is an experiment in theory and practice, and is therefore divided into two parts. The ...
During fall semester of 2010, I began taking students on five-day field trips to the Arizona–Mexico ...
AbstractBorder Encounters: American Cultural Politics and the U.S.-Mexico BorderbyJennifer Andrea Re...
My project argues that the U.S.-Mexico border is an assemblage of medial forms that are communicated...
This article applies an eco-critical approach to contemporary American fiction about the Canada-US b...
<p>Border Images and Imaginaries: Spectral Aesthetics and Visual Media of Americanity at the U.S.-Me...
This essay considers the hotly debated U.S. border and its relationship to music historiography vis-...
The Mexican city of Cuidad Juárez, Chihauhaua, across the river from El Paso, Texas, has become a fl...
An Introduction to the Exhibit:\ud From Kendra Dyanne Rivera, PhD\ud This exhibit is a multi-media ...
Contemporary cultural critics have theorized the multiple aspects of location in many different wa...
In Performing Borders: Guillermo Gómez-Peña, I examine selected interdisciplinary and multi-media wo...
This paper travels backwards, imagining impossibly a particular time and place in the past, to consi...
This article traces the workings of the border in Carlos Fuentes’ La frontera de cristal, Alejandro ...
Musicians’ Migratory Patterns: American–Mexican Border Lands. Ed. by Mauricio Rodríguez. CMS Cultura...
This essay will consider the performative arts on the border, ranging from script-based plays to per...