Add to ORKGThis essay discusses the balance between theatricality and antitheatricalityin Faith Healer, by Brian Friel, and argues that the play draws inspiration from drama as ritual and from medieval and mystery plays
Can tragedy and the Christian message of eternal hope and salvation coincide? Not only are the two v...
This essay describes a performance by the Greek theatre collective, Blitz Theatre – Late Night – as ...
This thesis will argue that by applying a hermeneutic of performance to biblical narratives, religio...
This essay looks at T. S. Eliot\u27s major dramatic productions from the 1930s-40s: Murder in the Ca...
There is an ancient Christian tradition of a ‘good and holy death’. That tradition has largely been ...
At the end of The Tempest, Prospero (or, perhaps, the actor playing him) urges the audience, ‘As you...
While theatrical performance is not an inherently religious act, the similarities between public, pe...
With an introduction on how to redefine our thinking about religion and theatrical drama, these nine...
A play offers you a shape and a form to accommodate your anxieties and disturbances for this period ...
William Shakespeare?s Late Romance, The Winter?s Tale , was performed for the first time in London?...
Dorothy L. Sayers’s first festival play, The Zeal of Thy House (1937), was written at a time when it...
The appearance of supernatural creatures on the theatrical stage, like the deus ex machina, directly...
Find boils in four chapters, the first chapter includes a methodological framework, which includes t...
"Playing God" explores Shakespeare's use--or rather, misuse--of specific landscapes from the perspec...
In some theatre there is a sense that what you see is all you get; in, for instance, circus or many ...
Can tragedy and the Christian message of eternal hope and salvation coincide? Not only are the two v...
This essay describes a performance by the Greek theatre collective, Blitz Theatre – Late Night – as ...
This thesis will argue that by applying a hermeneutic of performance to biblical narratives, religio...
This essay looks at T. S. Eliot\u27s major dramatic productions from the 1930s-40s: Murder in the Ca...
There is an ancient Christian tradition of a ‘good and holy death’. That tradition has largely been ...
At the end of The Tempest, Prospero (or, perhaps, the actor playing him) urges the audience, ‘As you...
While theatrical performance is not an inherently religious act, the similarities between public, pe...
With an introduction on how to redefine our thinking about religion and theatrical drama, these nine...
A play offers you a shape and a form to accommodate your anxieties and disturbances for this period ...
William Shakespeare?s Late Romance, The Winter?s Tale , was performed for the first time in London?...
Dorothy L. Sayers’s first festival play, The Zeal of Thy House (1937), was written at a time when it...
The appearance of supernatural creatures on the theatrical stage, like the deus ex machina, directly...
Find boils in four chapters, the first chapter includes a methodological framework, which includes t...
"Playing God" explores Shakespeare's use--or rather, misuse--of specific landscapes from the perspec...
In some theatre there is a sense that what you see is all you get; in, for instance, circus or many ...
Can tragedy and the Christian message of eternal hope and salvation coincide? Not only are the two v...
This essay describes a performance by the Greek theatre collective, Blitz Theatre – Late Night – as ...
This thesis will argue that by applying a hermeneutic of performance to biblical narratives, religio...
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