Many smaller theaters of the mid-eighteenth century were established in conjunction with the establishment of Italian traveling troupes. Several troupes were formed by musicians active at the Teatro Sant'Angelo, Venice. Although Vivaldi was not personally involved in any of the troupes, the musical imprint of his operas was strong in the mix of pastiches that served several Central European venues. The musical evidence of these performances is almost entirely lost, but the troupes are traceable through libretti. The degree to which the Teatro Sant'Angelo contributed both troupe leaders and troupe musicians stands out among all theaters in Northern Italy. The reach of its musicians, particularly those of the Madonis family, extended to Belgi...
The Italian exile of James III Stuart started in 1717 at the court of Urbino. In 1719, the Teatro Al...
Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and eco...
In the first decades of the 18th century, Italian theatre and its artists became vital to the Russia...
Mapping Italian Theatre provides a new critical overview of the circulation of the Italian theatre a...
In the years 1725–1734, there was an Italian opera troupe performing in Wrocław, which was composed ...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
In the eighteenth century, Italian musicians, singers, actors, and dancers criss-crossed the whole o...
On 27 April 1727, Italian opera returned to Belgium after decades of absence. Sixteen opere serie an...
441 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987.The opera theater of Count Fr...
Between 1949 and 1951, the theatres of major italian cities hosted in their seasons some performance...
In 1637, a dramma musicale entitled La Santa Cecilia was performed in Warsaw for the royal wedding b...
In so-called Spanish Italy, or the Italian territories subject to the Spanish rule (the State of Mil...
The Orchestra in the Theatre – Composers, Works, and Performance is part two of the publication The ...
The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at ...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
The Italian exile of James III Stuart started in 1717 at the court of Urbino. In 1719, the Teatro Al...
Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and eco...
In the first decades of the 18th century, Italian theatre and its artists became vital to the Russia...
Mapping Italian Theatre provides a new critical overview of the circulation of the Italian theatre a...
In the years 1725–1734, there was an Italian opera troupe performing in Wrocław, which was composed ...
In the seventeenth and early eighteenth centuries, comic opera existed almost exclusively as a local...
In the eighteenth century, Italian musicians, singers, actors, and dancers criss-crossed the whole o...
On 27 April 1727, Italian opera returned to Belgium after decades of absence. Sixteen opere serie an...
441 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1987.The opera theater of Count Fr...
Between 1949 and 1951, the theatres of major italian cities hosted in their seasons some performance...
In 1637, a dramma musicale entitled La Santa Cecilia was performed in Warsaw for the royal wedding b...
In so-called Spanish Italy, or the Italian territories subject to the Spanish rule (the State of Mil...
The Orchestra in the Theatre – Composers, Works, and Performance is part two of the publication The ...
The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at ...
Opera, perhaps fittingly described as an eclectic compilation of philosophy and Greek theater, emerg...
The Italian exile of James III Stuart started in 1717 at the court of Urbino. In 1719, the Teatro Al...
Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and eco...
In the first decades of the 18th century, Italian theatre and its artists became vital to the Russia...