Article that deals with the jazz youth subcultures spreading across Nazi-occupied Europe in the 1940ies. They were called Swings, Schlurfs (Vienna), Zazous (Paris) or Potapki (Prague) and were persecuted by the Hitler Youth
In the 20th century, jazz was an important artistic form. Depending on the particular European count...
Cet article est une contribution à l'analyse des phénomènes de surenchère à la radicalité à partir d...
Käesolev Eesti hilisstalinismiaegset džässi käsitlev artikkel väidab, et dualistlik mudel avalik/pri...
Jazz is widely known to be a formative element in American history, but it also played an important ...
The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Late 1930s Ge...
This article investigates the changing currency of racial politics in jazz music formations, with a ...
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the N...
Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period. Becaus...
Der Aufsatz geht der Frage nach, wie Hörerinnen und Hörer in der SBZ/DDR und in Polen über Radio, Sc...
The article presents the activity of the symphony orchestra in Litzmannstadt Ghetto, existing in Łód...
This thesis examines Dutch National Socialist periodicals in order to give a compelling answer to th...
This article, using extensive archival material, examines the history of the emergence of youth café...
After the liberation of The Netherlands in 1945 jazz went through a new start because it had been ba...
The purpose of the article is to identify and examine the characteristic features of the jazz music ...
© 2007 Kate G. SewardIn the late 1930s, French singer Johnny Hess launched his career in the cabaret...
In the 20th century, jazz was an important artistic form. Depending on the particular European count...
Cet article est une contribution à l'analyse des phénomènes de surenchère à la radicalité à partir d...
Käesolev Eesti hilisstalinismiaegset džässi käsitlev artikkel väidab, et dualistlik mudel avalik/pri...
Jazz is widely known to be a formative element in American history, but it also played an important ...
The Arts: 2nd Place (The Ohio State University Edward F. Hayes Graduate Research Forum)Late 1930s Ge...
This article investigates the changing currency of racial politics in jazz music formations, with a ...
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the N...
Both Paris and the Weimar Republic were fascinated with American jazz in the interwar period. Becaus...
Der Aufsatz geht der Frage nach, wie Hörerinnen und Hörer in der SBZ/DDR und in Polen über Radio, Sc...
The article presents the activity of the symphony orchestra in Litzmannstadt Ghetto, existing in Łód...
This thesis examines Dutch National Socialist periodicals in order to give a compelling answer to th...
This article, using extensive archival material, examines the history of the emergence of youth café...
After the liberation of The Netherlands in 1945 jazz went through a new start because it had been ba...
The purpose of the article is to identify and examine the characteristic features of the jazz music ...
© 2007 Kate G. SewardIn the late 1930s, French singer Johnny Hess launched his career in the cabaret...
In the 20th century, jazz was an important artistic form. Depending on the particular European count...
Cet article est une contribution à l'analyse des phénomènes de surenchère à la radicalité à partir d...
Käesolev Eesti hilisstalinismiaegset džässi käsitlev artikkel väidab, et dualistlik mudel avalik/pri...