While artists and performance makers use different strategies when engaging with participants in the rehearsal room, their presence provides the practitioner with a chance to care and ethically embed the other’s agency in the making process. In performance, care has often been discussed in the context of performance’s relationship with the viewer. In this article, I argue for listening as a rehearsal practice using a framework grounded in care. I propose DAR—Direction, Action, and Reflection, a way of making which fosters awareness of the other—that may be incorporated, adapted, and applied by practitioners across different creative fields. I discuss the rehearsal process of This is Not About Dance, a performative installation presented at ...
This article is preoccupied with the dramaturgies and collaborations between human and more-than-hum...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
I examine how working-class backgrounds shape experiences of success when working as a socially enga...
While artists and performance makers use different strategies when engaging with participants in the...
Dance, as a mode of physical interaction, offers opportunities to care and be cared for, but this do...
Why are so many contemporary artists treating acts of rehearsal as the basis of their practice? Why ...
This article addresses concepts and theories of listening and the impact these can have on community...
The book advances our understanding of performance as a mode of caring and explores the relationship...
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Perfo...
This paper presents a video of a performance at 'Concurrent♯2' in Edinburgh, 2017. it is followed by...
This edited collection brings together essays presenting an interdisciplinary dialogue between theat...
The understanding of care: caregiving and receiving is fundamental in the way in which we function a...
This article reflects on a dance improvisation project in which the foundational relationship of the...
In a time of life where the body is often dematerialized, de-centred and fragmented and the material...
Although the format of the rehearsal is used across a number of disciplines — film and theater as we...
This article is preoccupied with the dramaturgies and collaborations between human and more-than-hum...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
I examine how working-class backgrounds shape experiences of success when working as a socially enga...
While artists and performance makers use different strategies when engaging with participants in the...
Dance, as a mode of physical interaction, offers opportunities to care and be cared for, but this do...
Why are so many contemporary artists treating acts of rehearsal as the basis of their practice? Why ...
This article addresses concepts and theories of listening and the impact these can have on community...
The book advances our understanding of performance as a mode of caring and explores the relationship...
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Perfo...
This paper presents a video of a performance at 'Concurrent♯2' in Edinburgh, 2017. it is followed by...
This edited collection brings together essays presenting an interdisciplinary dialogue between theat...
The understanding of care: caregiving and receiving is fundamental in the way in which we function a...
This article reflects on a dance improvisation project in which the foundational relationship of the...
In a time of life where the body is often dematerialized, de-centred and fragmented and the material...
Although the format of the rehearsal is used across a number of disciplines — film and theater as we...
This article is preoccupied with the dramaturgies and collaborations between human and more-than-hum...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
I examine how working-class backgrounds shape experiences of success when working as a socially enga...