'Curious Arts No. 6' results from a period of residency and research in the private library at Hospitalfield House in Arbroath on the North-East coast of Scotland. The original owners of the house, Patrick and Elizabeth Allan-Fraser, were both dedicated to the ideals of art and nature and, following their deaths in the late nineteenth century, the House has been run as a trust dedicated to developments in the visual arts, literature and music in Scotland and internationally. Given the owners’ original ideals, the House, its library and the ensuing years of residencies hosted by the Trust, have secured Hospitalfield as a part of Scotland and the UK’s cultural heritage: it is a hidden gem. Brind & Harold engaged with the House and its col...
The inscription presented in this volume, a first-century AD ephebic list in the collection of the N...
The Visitors’ Book kept by Sir Richard and Lady Wallace at Hertford House encompasses 245 pages with...
This paper looks at the nature and trajectory of Dr John Rae collection in the institutional context...
‘Ages of Wonder: Scotland’s Art from 1540 until Today’ is a curatorial and editorial research projec...
The late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary an...
This artefact was exhibited in the group research exhibition 'Practicing Landscape: Land, Histories ...
In the last year I have co-curated, with Lesley Stevenson (Senior Painting Conservator, National Gal...
The Glasgow School of Art (GSA) has a rich creative heritage, connected closely to the artistic and ...
Leviathan f3 is an Artists Book (ISBN 978-1900599-28-3) created in response to a particular island l...
This output represents a six-year research enquiry by Nicky Bird, comprising three photographic-base...
My thanks to Iain Milne, Head of Heritage and Sibbald Librarian at the Royal College of Physicians o...
Limited edition, digital, fine art print on paper, 56cm x 28cm (edition of 21) In 2012 Glasgow Wo...
In 2011 The Glasgow School of Art in partnership with the Centre for Contemporary Arts in Glasgow wa...
This photo-collage essay seeks to highlight visually some of the stories of my fieldwork during the ...
Gray is one of Scotlands most acclaimed writers, and his practice has been subject to major retrospe...
The inscription presented in this volume, a first-century AD ephebic list in the collection of the N...
The Visitors’ Book kept by Sir Richard and Lady Wallace at Hertford House encompasses 245 pages with...
This paper looks at the nature and trajectory of Dr John Rae collection in the institutional context...
‘Ages of Wonder: Scotland’s Art from 1540 until Today’ is a curatorial and editorial research projec...
The late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary an...
This artefact was exhibited in the group research exhibition 'Practicing Landscape: Land, Histories ...
In the last year I have co-curated, with Lesley Stevenson (Senior Painting Conservator, National Gal...
The Glasgow School of Art (GSA) has a rich creative heritage, connected closely to the artistic and ...
Leviathan f3 is an Artists Book (ISBN 978-1900599-28-3) created in response to a particular island l...
This output represents a six-year research enquiry by Nicky Bird, comprising three photographic-base...
My thanks to Iain Milne, Head of Heritage and Sibbald Librarian at the Royal College of Physicians o...
Limited edition, digital, fine art print on paper, 56cm x 28cm (edition of 21) In 2012 Glasgow Wo...
In 2011 The Glasgow School of Art in partnership with the Centre for Contemporary Arts in Glasgow wa...
This photo-collage essay seeks to highlight visually some of the stories of my fieldwork during the ...
Gray is one of Scotlands most acclaimed writers, and his practice has been subject to major retrospe...
The inscription presented in this volume, a first-century AD ephebic list in the collection of the N...
The Visitors’ Book kept by Sir Richard and Lady Wallace at Hertford House encompasses 245 pages with...
This paper looks at the nature and trajectory of Dr John Rae collection in the institutional context...