Poster Session: Italy, Persia, and Early Modern GlobalismThis paper examined early-modern Italians' understanding of Safavid Persia, in relation to, and as mediated through, knowledge (and fear of) the Ottoman Empire. Mutual hostility to the Ottomans was one factor which motivated Christian Europeans to take a relatively benign view of Persia. I argue for a that art historians should take nuances of European perceptions of different Islamic polities and cultures into account, and this this approach can bring about a more accurate understanding of European-Islamic relations in general, and of European knowledge of Persia in particular
International audienceThe analysis of diplomatic relations between two states cannot be separated fr...
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse ...
In the first quarter of the seventeenth century, Safavid–Spanish relations took a substantial leap f...
By the mid-fifteenth century, the extensive territorial spread of Ottomans brought the Islamic world...
Appel à contribution/Call for papers CAA Annual Conference, Chicago, February 12 - 15, 2014 Deadline...
This thesis is the first study to investigate the relationship between, on the one hand, early moder...
The past two decades have witnessed tremendous growth in research on Safavid history. Recent develop...
Up until the turn of the nineteenth century, the Iranian knowledge of Europe was very limited. Irani...
This project was inspired in a fundamental way by an interest in the function of Italian Renaissance...
While the extensive economic, cultural, scientific, and diplomatic interconnections between Christia...
The paper aims to explore the practical aspects of the Safavid envoys’ travels to Venice in the sixt...
Session 6A: Arts and diplomacyThis conference paper reviewed the development of papal audience chamb...
This thesis explores Ottoman-Iranian relations in the period between 1722 and 1747, with a focus on ...
This thesis analyzes an anonymous portrait painting of the Ottoman Sultan Mahmud II (r. 1808-1839), ...
This entry offers an overview of Europe’s image of the Turks during the Renaissance. Various interac...
International audienceThe analysis of diplomatic relations between two states cannot be separated fr...
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse ...
In the first quarter of the seventeenth century, Safavid–Spanish relations took a substantial leap f...
By the mid-fifteenth century, the extensive territorial spread of Ottomans brought the Islamic world...
Appel à contribution/Call for papers CAA Annual Conference, Chicago, February 12 - 15, 2014 Deadline...
This thesis is the first study to investigate the relationship between, on the one hand, early moder...
The past two decades have witnessed tremendous growth in research on Safavid history. Recent develop...
Up until the turn of the nineteenth century, the Iranian knowledge of Europe was very limited. Irani...
This project was inspired in a fundamental way by an interest in the function of Italian Renaissance...
While the extensive economic, cultural, scientific, and diplomatic interconnections between Christia...
The paper aims to explore the practical aspects of the Safavid envoys’ travels to Venice in the sixt...
Session 6A: Arts and diplomacyThis conference paper reviewed the development of papal audience chamb...
This thesis explores Ottoman-Iranian relations in the period between 1722 and 1747, with a focus on ...
This thesis analyzes an anonymous portrait painting of the Ottoman Sultan Mahmud II (r. 1808-1839), ...
This entry offers an overview of Europe’s image of the Turks during the Renaissance. Various interac...
International audienceThe analysis of diplomatic relations between two states cannot be separated fr...
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse ...
In the first quarter of the seventeenth century, Safavid–Spanish relations took a substantial leap f...