Session 8a: The Ever Popular Monstrous MothersThis paper will examine matricide and the mother-as-murderer in an acclaimed Chinese film of the late twentieth-century to probe the emergent connections between discourse of law and the neoliberal subject in postsocialist modernity. THE DAY THE SUN TURNED COLD (Yim Ho, 1995) as an art film departs from the self-exoticizing rural narratives in Chinese cinema in which female infidelity serves as a locus for visual and affective seduction of global spectators. While drawing certain recurrent features from these rural narratives, this film raises the specter of male fantasy of female infidelity and female criminality as the problematic basis of law in a neoliberal economy. Taking a post-nationalist...
This is a study of a Hong Kong Chinese film adaptation of Ghosts made in 1960. It deals with process...
My dissertation looks at Shaw Brothers’ historical epics and huangmei musicals that dominated the Ch...
This dissertation focuses on the cultural representations of the one-child policy ever since 1978. T...
Theoretical thesis.Bibliography: pages 176-199.Chapter 1. Introduction -- Chapter 2. A literature re...
The Story of Qiu Ju (1992) is a Chinese film by renowned director Zhang Yimou. The documentary-like...
The Hong Kong filmmaker Ann Hui's The Postmodern Life of My Aunt [2006] mirrors the neoliberal condi...
Speedy economic development in marketized China has generated significant anxiety about the impact o...
Session 3: 7.11 Portraying the Human: Panelist 1This paper explores the cinematic treatment of law, ...
Ever since 2000s, the mainland Chinese film industry is becoming increasingly globalised, implementi...
This study explores the social construction and cinematic representation of gender in Chinese New Ci...
This study proceeds on the assumption that maternal discourse in the West, according to Kristeva, is...
The thesis examines representations of the matriarch in three Chinese Canadian texts: SKY Lee's Dis...
This article examines three films by the Chinese feminist scholar and documentary filmmaker Ai Xiaom...
This paper discusses how class and gender may be read against the narration of contemporary films in...
Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexi...
This is a study of a Hong Kong Chinese film adaptation of Ghosts made in 1960. It deals with process...
My dissertation looks at Shaw Brothers’ historical epics and huangmei musicals that dominated the Ch...
This dissertation focuses on the cultural representations of the one-child policy ever since 1978. T...
Theoretical thesis.Bibliography: pages 176-199.Chapter 1. Introduction -- Chapter 2. A literature re...
The Story of Qiu Ju (1992) is a Chinese film by renowned director Zhang Yimou. The documentary-like...
The Hong Kong filmmaker Ann Hui's The Postmodern Life of My Aunt [2006] mirrors the neoliberal condi...
Speedy economic development in marketized China has generated significant anxiety about the impact o...
Session 3: 7.11 Portraying the Human: Panelist 1This paper explores the cinematic treatment of law, ...
Ever since 2000s, the mainland Chinese film industry is becoming increasingly globalised, implementi...
This study explores the social construction and cinematic representation of gender in Chinese New Ci...
This study proceeds on the assumption that maternal discourse in the West, according to Kristeva, is...
The thesis examines representations of the matriarch in three Chinese Canadian texts: SKY Lee's Dis...
This article examines three films by the Chinese feminist scholar and documentary filmmaker Ai Xiaom...
This paper discusses how class and gender may be read against the narration of contemporary films in...
Postsocialist China is marked by paradoxes: economic boom, political conservatism, cultural complexi...
This is a study of a Hong Kong Chinese film adaptation of Ghosts made in 1960. It deals with process...
My dissertation looks at Shaw Brothers’ historical epics and huangmei musicals that dominated the Ch...
This dissertation focuses on the cultural representations of the one-child policy ever since 1978. T...