Computer Graphics Forum v. 26 is Proceedings of Eurographics 2007We propose a generic pigment model suitable for digital painting in a wide range of genres including traditional Chinese painting and water-based painting. The model embodies a simulation of the pigment-water solution and its interaction with the brush and the paper at the level of pigment particles; such a level of detail is needed for achieving highly intricate effects by the artist. The simulation covers pigment diffusion and sorption processes at the paper surface, and aspects of pigment particle deposition on the paper. We follow rules and formulations from quantitative studies of adsorption and diffusion processes in surface chemistry and the textile industry. The result...
This paper describes the various artistic effects of watercolor and shows how they can be simulated ...
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Chinese ink painting, known as sumi-e, is a traditional art form based on careful placement of expre...
We propose a generic pigment model suitable for digital painting in a wide range of genres including...
In this paper, simulation of artistic vegetable and mineral pigments diffusing effects of Chinese co...
This paper proposes an image-based painterly rendering algorithm for automatically synthesizing an i...
While paint systems have been around for a long time, systems capable of capturing the complex behav...
This joint research project with Dr Ferdy Carabott investigated the relation of computer colour-mixi...
Chinese ink painting is a traditional art that is over three thousand years old. It is a type of non...
While paint systems have been around for a long time, systems capable of capturing the complex behav...
Through recent trends in the application of digitally printed decorative finishes to products, CAD, ...
This paper presents a novel 3D brush model consisting of a skeleton and a surface, which is deformed...
In this paper I discuss ongoing research into the relationship of digital colour to analogue colour,...
Current watercolor painting systems produce convincing results, but trade this quality for a simulat...
Recent years have witnessed significant advances in 3D brush modeling and simulation in digital pain...
This paper describes the various artistic effects of watercolor and shows how they can be simulated ...
This paper presents a physically-based method for simulating ink dispersion in absorbent paper for a...
Chinese ink painting, known as sumi-e, is a traditional art form based on careful placement of expre...
We propose a generic pigment model suitable for digital painting in a wide range of genres including...
In this paper, simulation of artistic vegetable and mineral pigments diffusing effects of Chinese co...
This paper proposes an image-based painterly rendering algorithm for automatically synthesizing an i...
While paint systems have been around for a long time, systems capable of capturing the complex behav...
This joint research project with Dr Ferdy Carabott investigated the relation of computer colour-mixi...
Chinese ink painting is a traditional art that is over three thousand years old. It is a type of non...
While paint systems have been around for a long time, systems capable of capturing the complex behav...
Through recent trends in the application of digitally printed decorative finishes to products, CAD, ...
This paper presents a novel 3D brush model consisting of a skeleton and a surface, which is deformed...
In this paper I discuss ongoing research into the relationship of digital colour to analogue colour,...
Current watercolor painting systems produce convincing results, but trade this quality for a simulat...
Recent years have witnessed significant advances in 3D brush modeling and simulation in digital pain...
This paper describes the various artistic effects of watercolor and shows how they can be simulated ...
This paper presents a physically-based method for simulating ink dispersion in absorbent paper for a...
Chinese ink painting, known as sumi-e, is a traditional art form based on careful placement of expre...