The final goal of this study is to clarify which kind of sound field is desirable for musical performers on the stage in auditoria and to propose a new method to evaluate stage acoustics. In this paper, as the first step of the study, an acoustical measurement is performed in three actual halls, and ST index and the directional characteristics of reflections are discussed. The results show that the directional characteristics of reflections vary with the position on the stage and there exist some points that have different directional characteristics of reflections even though their values of ST are equal. This suggests that ST is not sufficient to evaluate the ease of performance and it is necessary to examine a new evaluating method consi...
A number of metrics for assessing the acoustical conditions for performers on concert hall stages ha...
Over the last twenty years, new subjectively relevant objective room-acoustic indicators for evaluat...
This thesis investigates auditorium stage acoustics from the perspective of the performing musician,...
The purpose of this study is to make clear the effect of the fundamental characteristics of sound so...
Although auditorium acoustics has been extensively studied from an audience perspective, studies of ...
Although auditorium acoustics has been extensively studied from an audience perspective, studies of ...
The object of this study is to clarify what kind of sound field is desirable for musical players on ...
Characterizing stage acoustics using objective parameters has seen some recent resurgence—several st...
Characterizing stage acoustics using objective parameters has seen some recent resurgence—several st...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
A number of metrics for assessing the acoustical conditions for performers on concert hall stages ha...
Over the last twenty years, new subjectively relevant objective room-acoustic indicators for evaluat...
This thesis investigates auditorium stage acoustics from the perspective of the performing musician,...
The purpose of this study is to make clear the effect of the fundamental characteristics of sound so...
Although auditorium acoustics has been extensively studied from an audience perspective, studies of ...
Although auditorium acoustics has been extensively studied from an audience perspective, studies of ...
The object of this study is to clarify what kind of sound field is desirable for musical players on ...
Characterizing stage acoustics using objective parameters has seen some recent resurgence—several st...
Characterizing stage acoustics using objective parameters has seen some recent resurgence—several st...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
Stage acoustic parameters are commonly determined in concert halls using omnidirectional transducers...
A number of metrics for assessing the acoustical conditions for performers on concert hall stages ha...
Over the last twenty years, new subjectively relevant objective room-acoustic indicators for evaluat...
This thesis investigates auditorium stage acoustics from the perspective of the performing musician,...