Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) coauthors and lovers for the poetry and verse drama they published. This edition of the love letters of Michael Field brings together for the first time a personal correspondence thought lost by critics. As the first modern scholarly edition of any of Michael Field's writings, the 168 letters represent a treasure trove of almost untouched manuscript material, including many from the critical early years (1876-1885) of this aunt-niece collaboration. The letters contain both published and unpublished poems and insights into the dramas and their production and are supplemented by extensive annotation and a biographical introduction. Recent critic...
This article considers the case of Katherine Bradley and Edith Cooper, an aunt and niece who lived a...
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote und...
This thesis represents an analysis of five dramatic works by Katharine Bradley (1846-1914) and Edith...
Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) c...
As 'Michael Field', Katharine Harris Bradley and Edith Emma Cooper were the authors of nine volumes ...
The last few decades have witnessed an immense resurgence in critical and academic interest in the l...
In 1892, Katharine Bradley (1846–1914) and Edith Cooper (1862–1913) published a volume of poetry wit...
An interest in ‘forgotten’ women poets of the fin de siécle led to many interesting figures being cr...
The greatest development in the field of Victorian poetry studies over the past fifteen years has be...
Dwelling on his friendship with the late nineteenth-century writers Katharine Bradley (1846–1914) a...
When the UK's Guardian newspaper featured "La Gioconda" as poem of the week in January 2010, the pap...
Book synopsis: Writing as “Michael Field,” Katharine Bradley (1846–1914) and Edith Cooper (1862–1913...
Scandal has long been associated with the collaborative partnership of Michael Field (the pseudonym/...
‘Michael Field’ was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Coope...
In 1889 “Michael Field”—the pseudonymous identity of Katharine Bradley and Edith Cooper—published Lo...
This article considers the case of Katherine Bradley and Edith Cooper, an aunt and niece who lived a...
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote und...
This thesis represents an analysis of five dramatic works by Katharine Bradley (1846-1914) and Edith...
Michael Field was the pseudonym used by Katherine Bradley (1846-1914) and Edith Cooper (1862-1913) c...
As 'Michael Field', Katharine Harris Bradley and Edith Emma Cooper were the authors of nine volumes ...
The last few decades have witnessed an immense resurgence in critical and academic interest in the l...
In 1892, Katharine Bradley (1846–1914) and Edith Cooper (1862–1913) published a volume of poetry wit...
An interest in ‘forgotten’ women poets of the fin de siécle led to many interesting figures being cr...
The greatest development in the field of Victorian poetry studies over the past fifteen years has be...
Dwelling on his friendship with the late nineteenth-century writers Katharine Bradley (1846–1914) a...
When the UK's Guardian newspaper featured "La Gioconda" as poem of the week in January 2010, the pap...
Book synopsis: Writing as “Michael Field,” Katharine Bradley (1846–1914) and Edith Cooper (1862–1913...
Scandal has long been associated with the collaborative partnership of Michael Field (the pseudonym/...
‘Michael Field’ was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Coope...
In 1889 “Michael Field”—the pseudonymous identity of Katharine Bradley and Edith Cooper—published Lo...
This article considers the case of Katherine Bradley and Edith Cooper, an aunt and niece who lived a...
This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote und...
This thesis represents an analysis of five dramatic works by Katharine Bradley (1846-1914) and Edith...