Add to ORKGWomen, Romance and the Nation This essay looks at the production and reception of Catherine Martin’s An Australian Girl in the 1890s as an exemplary case of the attempt to contain the reformist interests of late nineteenth century women’s writing within prescriptive social ideologies and the established conventions of the romance form. It predates Rosemary Campbell’s work on Catherine Martin and is the only essay omitted from her academy edition of Martin’s work
The submission consists of two parts; the first is a written dissertation addressing the question of...
This essay explores the depiction of the “New Woman” figure in J. M. Barrie’s Peter and Wendy (1911)...
This article explores the multiple and complex ways white heterosexual women constructed female sexu...
This essay looks at a specific moment of the culture wars in the 1950s and 60s in which men of lette...
Catherine Martin's loyal, wilful and feisty heroines traverse the terrains of romance in Italy, Swit...
Deposited with permission of the author. © 2001 Dr. Juliet Ella FleschA revised edition of this thes...
This article explores Australian romance fiction from the 1880s to 1930s to contemplate how Australi...
This paper traces the popularity of Zora Cross's Songs of Love and Life and its mixed critical rece...
This thesis presents the first complete study of twentieth-century Australian novels by women, for w...
In this essay, which is another instalment in the authors’ ongoing project of writing a history of ‘...
This study argues that Charlotte Bronte???s canonical romance novel Jane Eyre (1847)\ud centrally sh...
The paper argues that Catherine Martin's texts, An Australian Girl in particular, create a space fo...
This essay is an analysis of Anne Bronte's The Tenant of Wildfell Hall, more specifically an analysi...
This article presents an examination of love letters written in the period 1860-1960 by white middle...
Courtship plot is regarded as one of the important characteristics in English novels, for numerous E...
The submission consists of two parts; the first is a written dissertation addressing the question of...
This essay explores the depiction of the “New Woman” figure in J. M. Barrie’s Peter and Wendy (1911)...
This article explores the multiple and complex ways white heterosexual women constructed female sexu...
This essay looks at a specific moment of the culture wars in the 1950s and 60s in which men of lette...
Catherine Martin's loyal, wilful and feisty heroines traverse the terrains of romance in Italy, Swit...
Deposited with permission of the author. © 2001 Dr. Juliet Ella FleschA revised edition of this thes...
This article explores Australian romance fiction from the 1880s to 1930s to contemplate how Australi...
This paper traces the popularity of Zora Cross's Songs of Love and Life and its mixed critical rece...
This thesis presents the first complete study of twentieth-century Australian novels by women, for w...
In this essay, which is another instalment in the authors’ ongoing project of writing a history of ‘...
This study argues that Charlotte Bronte???s canonical romance novel Jane Eyre (1847)\ud centrally sh...
The paper argues that Catherine Martin's texts, An Australian Girl in particular, create a space fo...
This essay is an analysis of Anne Bronte's The Tenant of Wildfell Hall, more specifically an analysi...
This article presents an examination of love letters written in the period 1860-1960 by white middle...
Courtship plot is regarded as one of the important characteristics in English novels, for numerous E...
The submission consists of two parts; the first is a written dissertation addressing the question of...
This essay explores the depiction of the “New Woman” figure in J. M. Barrie’s Peter and Wendy (1911)...
This article explores the multiple and complex ways white heterosexual women constructed female sexu...