PREY BEGINS WITH PLAY

My work examines the lasting psychological and emotional torment of trauma focusing on sexual violence against women. My thesis consists of five short animated films recounting non-fiction experiences of sexual assault. To contextualize my work within cultural and historical representations of sexual violence, this text reflects my research on the mishandling of rape in Western art history as well as contemporary politics and cinema. In both my work and research, I address the complicated, and often contradictory, internal reality of experiencing and remembering trauma and how this relates to artistic strategies such as collage and maximalism. My personal struggles recovering from sexual abuse are woven throughout this research to illuminate specific choices made in my work, such as the use of animation and playful aesthetics