The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and \u27innovation\u27 and \u27new directions\u27 under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film
Indian classical dance is a profession and a cultural practice, that is premised on the notion of hi...
This thesis examines the performance of Indian classical dance in the contemporary 'diaspora space' ...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
The first critical study of Kathak dance within the discourses of the modern and the global, tracing...
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have ...
This article looks at Bollywood dance to explore the production of the commodified bodies of global ...
This dissertation focuses on the role of the classical Indian dance form Kathak in negotiating quest...
Although Euro-American musical revivals are usually connected to folk music, the postcolonial Indian...
Inspired by the third space theory of Homi Bhabha, this essay explores the postcolonial condition of...
This book fills a gap in South Asian and dance studies as it provides a critical study of the bharat...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
Indian contemporary dance is a field, genre, and strategic term, in which practitioners design and s...
Thesis (PhD)--Macquarie University, Faculty of Arts, Dept, of Anthropology, 2012.Bibliography: p. 26...
Kathak dance is a prominent classical dance of northern India. Indian dances have seen enormous chan...
Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as repr...
Indian classical dance is a profession and a cultural practice, that is premised on the notion of hi...
This thesis examines the performance of Indian classical dance in the contemporary 'diaspora space' ...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
The first critical study of Kathak dance within the discourses of the modern and the global, tracing...
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have ...
This article looks at Bollywood dance to explore the production of the commodified bodies of global ...
This dissertation focuses on the role of the classical Indian dance form Kathak in negotiating quest...
Although Euro-American musical revivals are usually connected to folk music, the postcolonial Indian...
Inspired by the third space theory of Homi Bhabha, this essay explores the postcolonial condition of...
This book fills a gap in South Asian and dance studies as it provides a critical study of the bharat...
I n the move from feudal empire to British colony to independent nation in less than 300 years, Indi...
Indian contemporary dance is a field, genre, and strategic term, in which practitioners design and s...
Thesis (PhD)--Macquarie University, Faculty of Arts, Dept, of Anthropology, 2012.Bibliography: p. 26...
Kathak dance is a prominent classical dance of northern India. Indian dances have seen enormous chan...
Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as repr...
Indian classical dance is a profession and a cultural practice, that is premised on the notion of hi...
This thesis examines the performance of Indian classical dance in the contemporary 'diaspora space' ...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...