Expressiveness is an important aspect of an excellent music performance as it adds quality and interest to the playing and listening experience. Although several studies have investigated tertiary students’ learning of expressiveness, little is known about effective approaches for teaching children to perform expressively. In the present project, 16 young musicians (aged 9–16, with performance levels at Pre-Grade 1 – Grade 8) took part in a video-stimulated recall interview after an experimental investigation which had featured methods for teaching and facilitating expressiveness. The interviews explored pupils’ perspectives on that instruction, which included practice of difficult sections, scales practice, improvisation, and questions and...
This paper discusses the exploration of sound and movement as performative constructs in Music Theat...
Within the field of music performance education, the majority of tuition focuses on the honing of te...
Thesis (M.Ed.)--University of Melbourne, Dept. of Education, 2003For musicians of all capability lev...
Twenty-nine pupils (aged 8–15) took part in an improvisation test and an experimental vs. control gr...
This article presents findings from an action research project that investigated instrumental teache...
Until recently little was known through systematic research about effective teaching methods to enha...
Since communication and expression are central aspects of music performance it is important to devel...
This work studies the characteristics of musical expressiveness in children’s performances through c...
The acoustic signal of a musical performance has two components: the organizational or composer-init...
This study is a comparison of the effectiveness of three approaches used to elicit expressivity in m...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
AbstractTeaching instrumental music ensembles with credible music expression has been a challenging ...
Musicians and educators understand the importance of expressivity in vocal performance. Despite the ...
Much has been written about expressivity by philosophers, composers, musicologists, and psychologist...
In some music educational contexts, a distinction is made between technical and expressive skills. I...
This paper discusses the exploration of sound and movement as performative constructs in Music Theat...
Within the field of music performance education, the majority of tuition focuses on the honing of te...
Thesis (M.Ed.)--University of Melbourne, Dept. of Education, 2003For musicians of all capability lev...
Twenty-nine pupils (aged 8–15) took part in an improvisation test and an experimental vs. control gr...
This article presents findings from an action research project that investigated instrumental teache...
Until recently little was known through systematic research about effective teaching methods to enha...
Since communication and expression are central aspects of music performance it is important to devel...
This work studies the characteristics of musical expressiveness in children’s performances through c...
The acoustic signal of a musical performance has two components: the organizational or composer-init...
This study is a comparison of the effectiveness of three approaches used to elicit expressivity in m...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
AbstractTeaching instrumental music ensembles with credible music expression has been a challenging ...
Musicians and educators understand the importance of expressivity in vocal performance. Despite the ...
Much has been written about expressivity by philosophers, composers, musicologists, and psychologist...
In some music educational contexts, a distinction is made between technical and expressive skills. I...
This paper discusses the exploration of sound and movement as performative constructs in Music Theat...
Within the field of music performance education, the majority of tuition focuses on the honing of te...
Thesis (M.Ed.)--University of Melbourne, Dept. of Education, 2003For musicians of all capability lev...