This article charts the establishment of the UK Association of Art Historians and its publishing organ Art History in the period 1974 to 1990. It investigates the synergetic relationship between that professional organisation and emergent feminist perspectives on art history, considering how both forces restructured disciplinary boundaries in the context of rapidly expanding higher education sector
Dave Beech’s review of Tate Liverpool’s exhibition Art Turning Left: How Values Changed Making 1789–...
Women\u27s activity in the visual arts both in and outside of the art institutions of Europe and the...
PhDFocussing on the ‘long 1970s’ (1968-1980), this thesis offers a new account of the emergence of ...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
Recognising art’s crucial function for reproducing economic and sexual differences, feminist politi...
Feminism in art history finds itself at an interesting intersection. Having long lost its links to a...
Literary scholar Elizabeth Long has charted the emergence of women’s reading groups in nineteenth-ce...
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylo...
In the realm of academic disciplines, Feminism and Feminist art history have made significant contri...
The public works presented for this PhD are commissioned art projects that explore the role of the a...
This paper looks at an important moment in the recent history of UK art education by examining the m...
This article reviews 40 years of feminist art manifestos and those collected in the publication by t...
The subject of this issue of 19 might raise a series of questions: Who were the women writing about ...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
Dave Beech’s review of Tate Liverpool’s exhibition Art Turning Left: How Values Changed Making 1789–...
Women\u27s activity in the visual arts both in and outside of the art institutions of Europe and the...
PhDFocussing on the ‘long 1970s’ (1968-1980), this thesis offers a new account of the emergence of ...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
This article charts the establishment of the UK Association of Art Historians and its publishing org...
Recognising art’s crucial function for reproducing economic and sexual differences, feminist politi...
Feminism in art history finds itself at an interesting intersection. Having long lost its links to a...
Literary scholar Elizabeth Long has charted the emergence of women’s reading groups in nineteenth-ce...
Editorial for a co-edited special issue of the journal Visual Culture in Britain, published by Taylo...
In the realm of academic disciplines, Feminism and Feminist art history have made significant contri...
The public works presented for this PhD are commissioned art projects that explore the role of the a...
This paper looks at an important moment in the recent history of UK art education by examining the m...
This article reviews 40 years of feminist art manifestos and those collected in the publication by t...
The subject of this issue of 19 might raise a series of questions: Who were the women writing about ...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
Dave Beech’s review of Tate Liverpool’s exhibition Art Turning Left: How Values Changed Making 1789–...
Women\u27s activity in the visual arts both in and outside of the art institutions of Europe and the...
PhDFocussing on the ‘long 1970s’ (1968-1980), this thesis offers a new account of the emergence of ...