This work demonstrates the potential of surface analysis techniques to contribute to a better understanding for art conservators of the degradation of modern paints. The model paints we select are modern synthetic organic pigments in linseed oil. The results, using a combination of X-ray photoelectron spectroscopy data and multivariate analysis, show good agreement with previous studies using different techniques such as pyrolysis gas chromatography mass spectrometry regarding the ageing effect in oil paints. In addition, we demonstrate that two different modern organic pigments produce a different oxidation status of the linseed oil in the paint matrix
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Organic dyes and pigments are among the most unstable and labile molecules in work of arts. The sens...
This paper summarizes the results of a photochemical ageing study on selected synthetic organic pigm...
This paper summarizes the results of a photochemical ageing study on selected synthetic organic pigm...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
The paint layers of art objects are daily subject to aggression by atmospheric agents that, with dif...
Modern oil paintings are affected by conservation issues related to the oil paint formulations and t...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
This paper presents an analytical investigation of paint reconstructions prepared with linseed oil t...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Organic dyes and pigments are among the most unstable and labile molecules in work of arts. The sens...
This paper summarizes the results of a photochemical ageing study on selected synthetic organic pigm...
This paper summarizes the results of a photochemical ageing study on selected synthetic organic pigm...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
This study is part of a research project dealing with the establishment of monitoring and damage pre...
The paint layers of art objects are daily subject to aggression by atmospheric agents that, with dif...
Modern oil paintings are affected by conservation issues related to the oil paint formulations and t...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...
Modern unvarnished oil paints in paintings show degradation problems such as bleeding, efflorescence...