This essay reconsiders Emily Brontë's place within the theological history of the early nineteenth century. I argue that there is a complex system of biblical hermeneutics embedded within the narrative of Wuthering Heights. In the first part of the essay, I locate Brontë within the key theological and denominational contexts of her family life. In the second part, I offer a comparative reading of Wuthering Heights and Friedrich Schleiermacher's The Christian Faith and argue that Brontë's use of the Bible is founded upon a liberal hermeneutics that privileges personal, intuitive experience of the divine over traditional canonical authority
The purpose of this thesis is to investigate the potential influence of Plato\u27s Symposium on Emil...
The purpose of this thesis is to explore the elements of the Gothic and the way these were employed ...
The critical assessments of Christianity given by both Wuthering Heights and Jane Eyre, particularly...
The scholarship surrounding the life and works of Emily Brontë is generally divided in two sects. Th...
“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel W...
This essay examines the relevance of the concept of heaven and hell in Emily Brontë’s only novel, Wu...
This essay places Emily Brontë's poetry within a tradition of eighteenth-century discourses on enthu...
The book begins with an examination of Brontë’s life, considering the meaning of the ‘silence’ in wh...
Despite the secure position of Emily Brontë’s Wuthering Heights (1847) in academic and popular cultu...
This thesis analyses the role of religion in the Brontë novels, deals with the question of salvation...
Emily Brontë and Catherine Earnshaw, the heroine of Wuthering Heights, are not identical, but the re...
Emily Brontë was one of the first women to publish a novel in her own name in the middle of the 19t...
Wuthering Heights is the only novel by Emily Brontë (1818-1848), one of three sisters who literary p...
This study aims to show how Emily Brontë’s opposing attitude to civilization in Wuthering Heights re...
Critics from Virginia Woolf and David Cecil to Lyn Pykett and U. C. Knoepflmacher, among others, hav...
The purpose of this thesis is to investigate the potential influence of Plato\u27s Symposium on Emil...
The purpose of this thesis is to explore the elements of the Gothic and the way these were employed ...
The critical assessments of Christianity given by both Wuthering Heights and Jane Eyre, particularly...
The scholarship surrounding the life and works of Emily Brontë is generally divided in two sects. Th...
“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel W...
This essay examines the relevance of the concept of heaven and hell in Emily Brontë’s only novel, Wu...
This essay places Emily Brontë's poetry within a tradition of eighteenth-century discourses on enthu...
The book begins with an examination of Brontë’s life, considering the meaning of the ‘silence’ in wh...
Despite the secure position of Emily Brontë’s Wuthering Heights (1847) in academic and popular cultu...
This thesis analyses the role of religion in the Brontë novels, deals with the question of salvation...
Emily Brontë and Catherine Earnshaw, the heroine of Wuthering Heights, are not identical, but the re...
Emily Brontë was one of the first women to publish a novel in her own name in the middle of the 19t...
Wuthering Heights is the only novel by Emily Brontë (1818-1848), one of three sisters who literary p...
This study aims to show how Emily Brontë’s opposing attitude to civilization in Wuthering Heights re...
Critics from Virginia Woolf and David Cecil to Lyn Pykett and U. C. Knoepflmacher, among others, hav...
The purpose of this thesis is to investigate the potential influence of Plato\u27s Symposium on Emil...
The purpose of this thesis is to explore the elements of the Gothic and the way these were employed ...
The critical assessments of Christianity given by both Wuthering Heights and Jane Eyre, particularly...