Is it possible to talk of mental patterns underlying aesthetic reflections, and has the constant recurrence of particular ideas in the area of aesthetics some deeper explanation? Structural aesthetics of music is an authorial research conception which enables interpretation of phenomena from the area of history of music aesthetics, and in this way provides its systematised picture. The conception uses the ideas of structural linguistics: binary phonological opposition and the historicalliterary process in the approach of Jan Mukařovský. The article also contains an example of using this conception in relation to the aesthetics of antiquity (sophists, Plato, Aristotle), Descartes and impressionism
This article highlights the contradiction between theories of form in musicology (originating in the...
A forum devoted to the relationship between music and language begins with an implicit assumption: T...
The article is dedicated to the problem of musical meaning and its role in contemporary musicologica...
This paper is about the dilemma raised against musical ontology by Roger Scruton, in his The Aesthet...
The article deals with Nicolas Ruwet’s semiotically oriented theory of music, which constitutes the ...
This paper is about the dilemma raised against musical ontology by Roger Scruton, in his The Aest...
This research and practice project studies the way in which some aspects of linguistic order are als...
The article provides a survey of musical aesthetics as academic discipline today, showing some criti...
This essay raises a number of issues with regard to recent developments in music theory. Among them ...
Relationships between language and music have always been lively and dynamic, from their syncretic u...
We present an account of the phenomenon of music based upon the hypothesis that there is a close par...
This article examines the implications for aesthetic theory of using music as a model. It pursues th...
If the origin of the aesthetic attitude is a complex performance, which involves a multiplicity of i...
The article actualizes the problem of the anthropological dimensions of music art on the basis of th...
© 1987 Dr. Naomi Helen CummingThis thesis argues that Meyer’s analytical and aesthetic thought are i...
This article highlights the contradiction between theories of form in musicology (originating in the...
A forum devoted to the relationship between music and language begins with an implicit assumption: T...
The article is dedicated to the problem of musical meaning and its role in contemporary musicologica...
This paper is about the dilemma raised against musical ontology by Roger Scruton, in his The Aesthet...
The article deals with Nicolas Ruwet’s semiotically oriented theory of music, which constitutes the ...
This paper is about the dilemma raised against musical ontology by Roger Scruton, in his The Aest...
This research and practice project studies the way in which some aspects of linguistic order are als...
The article provides a survey of musical aesthetics as academic discipline today, showing some criti...
This essay raises a number of issues with regard to recent developments in music theory. Among them ...
Relationships between language and music have always been lively and dynamic, from their syncretic u...
We present an account of the phenomenon of music based upon the hypothesis that there is a close par...
This article examines the implications for aesthetic theory of using music as a model. It pursues th...
If the origin of the aesthetic attitude is a complex performance, which involves a multiplicity of i...
The article actualizes the problem of the anthropological dimensions of music art on the basis of th...
© 1987 Dr. Naomi Helen CummingThis thesis argues that Meyer’s analytical and aesthetic thought are i...
This article highlights the contradiction between theories of form in musicology (originating in the...
A forum devoted to the relationship between music and language begins with an implicit assumption: T...
The article is dedicated to the problem of musical meaning and its role in contemporary musicologica...