This thesis will analyse the medieval monster tradition along gender lines and assess how the gender-monstrosity matrix informed the early modern Scottish and English witchcraft traditions. This new analysis of witchcraft literature will involve re-conceiving it as part of a much longer continuum of monstrosity that may be traced to the Anglo-Saxon Marvels of the East. An analysis of witches in relation to monsters is justified owing to the consistent tendency in the monsters literature to define as monstrous violations of stereotyped masculine and feminine behaviours. I aim to demonstrate that witchcraft literature displays a similar ideological approach by identifying the transgression of stereotyped gender roles as a primary character...
Diane Purkiss claims that “in Early Modern England, the witch was a woman’s fantasy and not simply a...
In presenting a mythical establishment of British and English nationhood that is one of the most pop...
THE POPULAR LITERATURE of witchcraft in England almost invariably featured spirits, or “familiars”, ...
This thesis will analyse the medieval monster tradition along gender lines and assess how the gender...
This thesis examines representations of monstrosity in Old English literature. The literary studies...
This project documents and analyzes the gendered transformation of magical figures occurring in Arth...
This thesis discusses presentations of madness in medieval literature, and the ways in which these p...
The advent of print and specifically the pamphlet in the sixteenth-century created a new moment for ...
Working from the foundation laid by leading historians of medieval witchcraft -- most notably Richar...
This dissertation focuses on the significance of monsters in early modern popular literature. The et...
This thesis analyzes eight specific Swedish medieval ballads that contain supernatural transformatio...
This dissertation discusses medieval and Renaissance clerical and cultural constructions of feminini...
abstract: Medieval European manuscripts contain a wealth of diverse and imaginative collections of i...
This dissertation presents the findings of a literary research project which investigated how the co...
In contemporary theory and artistic representation, the grotesque is understood as a creative space ...
Diane Purkiss claims that “in Early Modern England, the witch was a woman’s fantasy and not simply a...
In presenting a mythical establishment of British and English nationhood that is one of the most pop...
THE POPULAR LITERATURE of witchcraft in England almost invariably featured spirits, or “familiars”, ...
This thesis will analyse the medieval monster tradition along gender lines and assess how the gender...
This thesis examines representations of monstrosity in Old English literature. The literary studies...
This project documents and analyzes the gendered transformation of magical figures occurring in Arth...
This thesis discusses presentations of madness in medieval literature, and the ways in which these p...
The advent of print and specifically the pamphlet in the sixteenth-century created a new moment for ...
Working from the foundation laid by leading historians of medieval witchcraft -- most notably Richar...
This dissertation focuses on the significance of monsters in early modern popular literature. The et...
This thesis analyzes eight specific Swedish medieval ballads that contain supernatural transformatio...
This dissertation discusses medieval and Renaissance clerical and cultural constructions of feminini...
abstract: Medieval European manuscripts contain a wealth of diverse and imaginative collections of i...
This dissertation presents the findings of a literary research project which investigated how the co...
In contemporary theory and artistic representation, the grotesque is understood as a creative space ...
Diane Purkiss claims that “in Early Modern England, the witch was a woman’s fantasy and not simply a...
In presenting a mythical establishment of British and English nationhood that is one of the most pop...
THE POPULAR LITERATURE of witchcraft in England almost invariably featured spirits, or “familiars”, ...