This article focuses on the controversy caused by the release of the film Inxeba (The Wound). Inxeba depicts a complex intersection of rites of passage, masculinities, queerness and the relationships between men in a homosocial environment within a Xhosa cultural setting. I argue that the subject matter of same-sex intimacy in the film challenges dominant constructions of Xhosa masculinities by going to the foundation of dominant Xhosa masculinities, namely the male initiation process. The film poses a challenge to Xhosa culture by boldly asking: what is the position of Xhosa culture on same-sex intimacies? The film depicts same-sex intimacy that takes place in one of the most sacred of Xhosa cultural spaces. In the article, the film is ana...
This article aims to describe common cultural types of masculinity in the South African society and ...
The fear of being perceived as gay, as not a real man, keeps men exaggerating all the traditional r...
This article argues that South African society is not receptive to gays and lesbians although South ...
Abstract: This article assesses some recurrent criticisms, based on respect for traditional culture,...
Abstract: In this paper, we discuss the multi-layered representations of masculinities as they appea...
This article explores the complex and interwoven nature of the scored and traditional music fe...
This article is interested in popular and institutional or state responses to the representations of...
THE PORTRAYAL OF HOMOSEXUALITY IN INTERNATIONAL CINEMA The purpose of this ...
Inxeba revived debates on ulwaluko and its attendant social discourses in South Africa. Elided by t...
Postmodernism ignited a rapid growth in oppositional cultures in the late 20th and early 21st centur...
Abstract: Studies of amaXhosa (‘Xhosa’) men focus predominantly on Xhosa men attaining manhood throu...
John Trengove’s film Inxeba (The Wound) was met with public outcry as it represented the sacred trad...
This thesis contests the notion that nonnormative sexualities are ‘un-African’ by examining a range ...
CITATION: Andrews, G. 2018. The boundaries of desire and intimacy in post-apartheid South African qu...
Masculinity studies in South Africa depend on Western gender theories to frame research questions a...
This article aims to describe common cultural types of masculinity in the South African society and ...
The fear of being perceived as gay, as not a real man, keeps men exaggerating all the traditional r...
This article argues that South African society is not receptive to gays and lesbians although South ...
Abstract: This article assesses some recurrent criticisms, based on respect for traditional culture,...
Abstract: In this paper, we discuss the multi-layered representations of masculinities as they appea...
This article explores the complex and interwoven nature of the scored and traditional music fe...
This article is interested in popular and institutional or state responses to the representations of...
THE PORTRAYAL OF HOMOSEXUALITY IN INTERNATIONAL CINEMA The purpose of this ...
Inxeba revived debates on ulwaluko and its attendant social discourses in South Africa. Elided by t...
Postmodernism ignited a rapid growth in oppositional cultures in the late 20th and early 21st centur...
Abstract: Studies of amaXhosa (‘Xhosa’) men focus predominantly on Xhosa men attaining manhood throu...
John Trengove’s film Inxeba (The Wound) was met with public outcry as it represented the sacred trad...
This thesis contests the notion that nonnormative sexualities are ‘un-African’ by examining a range ...
CITATION: Andrews, G. 2018. The boundaries of desire and intimacy in post-apartheid South African qu...
Masculinity studies in South Africa depend on Western gender theories to frame research questions a...
This article aims to describe common cultural types of masculinity in the South African society and ...
The fear of being perceived as gay, as not a real man, keeps men exaggerating all the traditional r...
This article argues that South African society is not receptive to gays and lesbians although South ...