Add to ORKGChapter in ‘Mythologies, Identities and Territories of Photography: Forever//Now’. Marmalade, G., Harris, P. (eds). Part of an edited selection of essays and presentations delivered at the conference for FORMAT19 International Photography Festival. Some of What Happened Here…v.2.0. presents an historical account of the impact of FORMAT and its establishment as one of the UK’s leading international festivals of contemporary photography and related media. This is contextualised through the ‘place-making’ legacy of Derby, a City with a long-standing heritage in the advancement of the photographic medium and the University, as a major provider of photographic higher education stretching back over six decades. The chapter explores the impact of...
This paper looks at the history of a half-photography, half-fiction, project, whilst it contemplates...
This series constituted the only work from a Western Australian artist included in PHOTO2020, a majo...
This paper is a revised and edited version of that which was delivered at the conference for the FOR...
The conference for FORMAT19, 15th March 2019, was hosted by University of Derby and the Digital and ...
It was not until the early 1980s that photography was fully accommodated as an independent disciplin...
The Time of The Artist (2019) was a collaborative research activity between Rhiannon Jones (S.H.E.D ...
The book was presented as part of the Artist's Programme at the Light Sensitive Material conference,...
FORMAT13 centres on the theme of FACTORY and mass production. This can be understood literally and c...
Long neglected as a second-rate art, photography was accommodated in the art museum in the late 1970...
In spring 2002, the Museum of Modern Art in New York held an “experimental” exhibition about the cit...
A Chronology of Photography presents a fresh perspective on the medium by taking a purely chronologi...
“The Archive, the Event and Its Architecture” is both a documentation and a component of an interrel...
One participant in a roundtable discussion with the following abstract: For this roundtable we gathe...
A hundred and twenty years after G. Eastman launched his Kodak box camera with the slogan ‘You press...
Across multiple contexts within photography’s relatively brief history as a medium of ‘light inscrip...
This paper looks at the history of a half-photography, half-fiction, project, whilst it contemplates...
This series constituted the only work from a Western Australian artist included in PHOTO2020, a majo...
This paper is a revised and edited version of that which was delivered at the conference for the FOR...
The conference for FORMAT19, 15th March 2019, was hosted by University of Derby and the Digital and ...
It was not until the early 1980s that photography was fully accommodated as an independent disciplin...
The Time of The Artist (2019) was a collaborative research activity between Rhiannon Jones (S.H.E.D ...
The book was presented as part of the Artist's Programme at the Light Sensitive Material conference,...
FORMAT13 centres on the theme of FACTORY and mass production. This can be understood literally and c...
Long neglected as a second-rate art, photography was accommodated in the art museum in the late 1970...
In spring 2002, the Museum of Modern Art in New York held an “experimental” exhibition about the cit...
A Chronology of Photography presents a fresh perspective on the medium by taking a purely chronologi...
“The Archive, the Event and Its Architecture” is both a documentation and a component of an interrel...
One participant in a roundtable discussion with the following abstract: For this roundtable we gathe...
A hundred and twenty years after G. Eastman launched his Kodak box camera with the slogan ‘You press...
Across multiple contexts within photography’s relatively brief history as a medium of ‘light inscrip...
This paper looks at the history of a half-photography, half-fiction, project, whilst it contemplates...
This series constituted the only work from a Western Australian artist included in PHOTO2020, a majo...
This paper is a revised and edited version of that which was delivered at the conference for the FOR...